I would have to disagree with both of the uploaded forms here. They are both far too inclusive of detailed instructions that should be included in run sheets or other department specific paperwork. To be fair, the general idea with columns of time, placement, en/ex, who, where, props, and costumes is rather standard.
I would like to say that I have worked from and generated a fair number of w/w/w's at large opera companies. I have NEVER seen a groundplan anywhere near the w/w/w. That is in the deck sheet, the tech master, the prop run, whatever your crew run sheets are, but NOT the w/w/w. The w/w/w tracks singers, not tech. And tech does not want to know what the singers are doing.
They are most useful when doing a remount, world premiere, etc., where the exact staging (and therefore entrances and exits) are likely to be closely replicated in subsequent productions. They should contain artists' entrances, exits, prop handoffs, and costume quick changes. From that, they MAY also contain rail cue placements, and GENERALIZED scene shift notes. (i.e. "Scene Shift to Scene 2: Tavern"or "Deck Q2: Well tracks on")
During the run of a show, the most likely department to use a w/w/w is wardrobe or wigs. The dressers or makeup staff may want to know where to meet Ms. Soprano to powder her nose or with a water bottle. They are also the most likely departments to be interested in where the singers are and when. Often, these departments do not want them and the only reason they exist is for archival purposes. So it's not a wise use of time to put so much information in them that will never be looked at.
I would love to post an example, but it's my experience that the information contained is propriatary. Both the company mounting the production and the director who created the staging would not appreciate the public posting of the creative work. And a blank form does not exactly convey the full intention.
Best of luck.