I'm stage managing a play where the director is interested in heavily using movement sequences both within scenes and within transitions. These aren't dance sequences, because there is no music. But everything is heavily choreographed using Laban and Viewpoints, and everything is incredible precise and must be perfectly integrated with media, lighting, and sound.
I have no idea how to effectively notate movement sequences like this, since we don't have a choreographer who would do the notation (the directors a movement person).
Has anyone come across a similar situation, and does anyone have advice on how to best serve the piece?
Edited to add topic tag- Maribeth