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Messages - MarcieA

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31
The Green Room / Re: "I quit!"
« on: Feb 23, 2013, 10:55 pm »
Sounds like a plan! Another thing people don't think about but I always do is actually negotiate contracts. People are normally shocked by the things I am able to negotiate but I remind them that if they don't even try or ask then of course they wont get them.

Such as what? I just had a discussion with someone else about this, and it's got me thinking.

32
I have been following this thread because of my next project and noticed that you're working with Margie and Seth, ejsmith! She is the reason that I have my Equity card, and I worked with Seth years ago on a show in Philly. I don't know if either would remember me, but they're wonderful.

33
It's always been my belief that regardless of who sets what, it's the ASM's responsibility to ensure that those presets are done.

So, if blame should be placed, that's where. Both parties are at fault to me: the costume crew member who's actual, physical responsibility it is to hang those costumes and the ASM for not being sure that the stage was properly set before the show started. I suppose one could also say that the actor should have checked as well, but this is a really a crew responsibility.

Also, rather than just placing blame, why not use it to truly prove how collaborative an experience this job is?

34
The Hardline / Re: EMC program Pros. vs. Cons
« on: Jan 28, 2013, 10:49 pm »
Right, but my understanding is that after 50 weeks, once you are offered a job accept a contract at an AEA theatre, you have to join, you can't take another non-AEA contract at an AEA theatre.  You can still work on non-AEA shows at non-AEA theatre and keep your points (for up to 5 years).

Oh yes, that's absolutely correct. I should have clarified my language.

35
The Hardline / Re: EMC program Pros. vs. Cons
« on: Jan 27, 2013, 10:20 pm »
It's been a while since I was EMC, but I remember that once you had accrued 50 weeks, you had to join upon signing your contract at the next AEA theatre. Does anyone know if this has this changed? I know there have been changes in right-to-work laws in recent years- has that affected the EMC requirements?

To my knowledge, once you accrue your 50 points, you are not required to sign an AEA contract unless offered one. Or if you ask and the theatre is willing and has the contract to give. (That is what you're asking, right?)

When I was EMC I had  my 50 points after my first 14 months of work, but I never had the opportunity to take an Equity contract, so I just held on to those points, for 2 more years.


36
Uploaded Forms / Re: Slip Sheets
« on: Dec 06, 2012, 01:10 pm »
I've never heard them called slip sheets, but it makes total sense. Attaching a PDF and edit-able doc.

37
Self-Promotion / Re: Baby!
« on: Dec 06, 2012, 10:48 am »
Absolutely beautiful, and a wonderful name! Congratulation to you!

And if you need any hand-knit baby items, I'm happy to oblige!

38
I've honestly never been prouder to be part of the development of a new project as I am this one.

This Monday at (le) Poisson Rouge will be the first full length presentation of this song cycle.

ISLAND SONG: Five New Yorkers are caught in a twisted love affair… with the city. This unique musical anthology takes us through their poignant and hilarious journeys to seize their own potential and the possibilities the city dangles before them. Driven by its kinetic and eclectic score featuring 3 MAC nominated songs, ISLAND SONG captures every urbanite’s triumphs, disappointments, and ever-tested perspective.
 
Music and Lyrics by Sam Carner and Derek Gregor
Directed by Marlo Hunter

Featuring:
David Ayers (WICKED, FIDDLER ON THE ROOF),
Emma Hunton (SPRING AWAKENING, RENT)
Preston Sadleir (NEXT TO NORMAL; ME, MYSELF & I)
Sarah Stiles (INTO THE WOODS, AVENUE Q)
Raena White (DREAMGIRLS at Marriott Lincolnshire)

Tickets are $15: http://www.lepoissonrouge.com/lpr_events/carner-gregor-island-song/, and 20% of proceeds will be donated to NYC Firefighter Brotherhood Foundation
(le) poisson rouge | 158 Bleecker Street | 212.505.FISH | info@lprnyc.com

About the writers:
Sam Carner and Derek Gregor’s musical UNLOCK’D won a Richard Rodgers Award and went on to be produced at NYMF 2007, where it won the “Best of the Fest” audience award and Talkin’ Broadway Citations for “Outstanding New Musical” and “Outstanding Original Theatrical Score.” UNLOCK’D went on to workshops at Theatre Works, Palo Alto and the Ravinia Festival and will premiere Off-Broadway next summer with the Prospect Theatre Company at the Duke on 42nd St. Other projects in development include their children’s musicals THE GREAT COOKIE QUEST (book by Jim Weitzer) and their short LOVE, SPLAT, which is slated for production in TheatreWorks USA’s THE TEACHER FROM THE BLACK LAGOON. Their musical anthology ISLAND SONG has been workshopped at Princeton University and Western Carolina Unviersity. Sam and Derek’s songs are performed frequently in cabarets and concerts around the world, and three numbers from Island Song have been nominated for MAC Awards (“After Hours” and “Make It Here” for Best Song and “Sing, But Don’t Tell” for Best Special Musical Material. They have also presented a number of concerts of their songs, including Sing, But Don’t Tell at NYMF 2009 and Buzzed, a 2010 concert with 12 cast members from the Broadway cast of HAIR.


To see clips of previously performed songs from this piece (I HIGHLY recommend NY Do You Care and CBT, and well, everything!) go here: http://www.carnerandgregor.com/category/island-song-project/

And our promo video: http://www.youtube.com/watch?v=gOlvnKCCHaU

39
The Green Room / Re: SANDY!
« on: Oct 30, 2012, 08:30 pm »
Even better news:

We have limited (and free) bus service back up in NYC and they're hoping to restore all lines the best they can tomorrow.

I'm in Astoria as well, and consider myself extremely lucky to have not lost power or internet.

Seeing posts on Facebook etc about friends opening their homes, and bars and restaurants doing the same makes me so proud to live here.

40
I sent this really long and detailed email to a friend who is on tour with Ailey II. They do a combination of US, International, short and long term touring as a point of reference. The tips are culled from my 2 tours (1 was 6 months out with no lay offs and the other was a Thursday-Monday gig where I was home in between weekends). Some of the stuff below is a repeat of what we've already discussed, but I am just cutting and pasting:

I also have links to shopping online for a lot of the stuff I mention if anyone wants them.

For longer/international travel: When I was with the Kennedy Center on tour I bought those all-in-one laundry sheets and they were great once I tossed the plastic box they came in and put them in a ziplock bag. Otherwise, powder laundry soap is a smart idea - just in case it spills in your suitcases your clothes won't be covered in slime. Even those pre-measured travel pouches of Tide are NOT puncture proof, and you don't want to learn that the hard way.

Since you're doing a combination of short and long touring (and this is directly from the Ailey II staff): It is time to get two of everything (One toothbrush for travel, and one for home), including your phone charger. I bought a bunch of generic iPhone chargers on ebay and just kept one in my suitcase and one in my purse. This way when you are back you spend less time unpacking and repacking. Make a travel only toiletries bag and leave it packed and always in your suitcase.

Can you check bags even for quick US jumps? If so, I LOVE my LL Bean Toiletry Organizer. I am a complete product junkie and a medium sized bag held ALL of my stuff for 16 weeks on tour. I had two of everything: hair stuff, make-up, shower stuff, and because I'm compulsive, I would make notes on my phone to remind me when to replace something, or add more QTips, etc.  Having doubles saves SO much time.  Also, this means that when you are home it already feels like home because you're not unpacking stuff like that just to take a bath. I also kept a separate LeSportSack (because I have a bunch of them) pouch of tampons, etc that just stayed in my carry on at all times.

PACKING:
- PACKING CUBES CHANGED MY LIFE. I cannot stress this enough. They come in different sizes, and I started with this 3-pack. I would think about also investing in a 2nd set of all mediums or larges for longer travel. They fit into your suitcase like Tetris blocks and what makes them so amazing is that your shit is always folded and packed, even if/when you tear your bag apart to look for something. Underwear/Socks/Bras fit brilliantly in the small, and I did work clothes (run blacks and black socks in the medium) and 'play' clothes in the large. This past spring, I flew out on weekends and was home and off on Tuesdays and Wednesdays, so I had time at home each week to repack, but that's just a pain. Obviously you'll have to (and want to at some point) but what I did was I kept a pair of jeans, 3 or 4 regular Old Navy fitted Ts, a cardi and 2 'going out' shirts in that cube, and they stayed there until they were worn. For longer jumps, most people will recommend 2 weeks worth of sock/underwear, but count your days off, and pack enough to last through two of them. This way, you're not forced to do laundry on your only day off. The other plus side to packing cubes is that I found it really easy to keep dirty and clean separate: clean was always zipped in a cube and dirty made the bottom layer of my suitcase. I would unpack the cubes, in tact, into a drawer (or if I'm being honest just on top of the dresser) and dirties were just tossed in the now empty suitcase.

- Also, whenever you check a bag: 2 pairs of underwear, socks and an extra shirt in your carry on. You may go the next 6 months never using them, but trust me, when you're stranded in Paris for 3 days without your suitcase, you will be SO grateful. Also - any toiletry item that you cannot live without gets a TSA appropriate carry on size. I spent the money on squishy travel sized bottles and they are great because they have a leak-proof seal and suction cup to the shower wall, so you're not knocking them around in the shower, and I also have a bunch of 3oz bottles from Ricky's, because I have a lot of stuff.  Wear your work shoes (or your largest/heaviest shoes) on the plane when you check your bag too.

- I liked having slipper socks for the hotel (which are also snuggly on long flights).  Some folks do flip flops, and that works too, the idea again, being something familiar on your feet when you're settling in to yet another hotel room.

- I also take a small Yankee candle.  Nothing is worse than a fully booked hotel and you have gotten the room that smells like feet, or being in that non-smoking room that reeks of cigarettes.

- If you have room try to take an extra bag for gifts or if your main suitcase is overweight. 

- If you feel that you can work everything into a carry on that is great - especially on shorter trips.  It also leaves you room to check that bag on a return flight if needed.  Also it will save you so much time at the airport.

- If you're doing multiple countries in Europe, I'd look into investing in a universal power converter. They look like big boxes, and one side is US to UK, the other US to EU, etc. No kits with tons of small pieces to lose. Think about buying two of these as well.

The other thing to think about is the backpack vs purse argument for your personal item on the plane. This is probably one of the hardest decisions to make. Throughout the spring I tried it both ways, and there are pros and cons to bring both:

Pros         
Lots of room for last minute grabs (Oh, I forgot to pack whatever I can just throw it in my purse cause it's an extra bag)
When you want to run out of the theater for lunch or whatever you can just take your purse instead of your backpack or holding your wallet.
More division between work and play.  Everything for work in the backpack and everything for play in your purse.
You can go out to dinner without carrying your wallet and cell phone in your hand, or conversely, you don't have to bring your backpack to the bar.

Cons
Why did I bring two bags?
You have to make sure that you remember what's in your purse and what isn't.
At one point you will ultimately leave something you need in your backpack when you have only your purse, and vice versa.

Conversely, the thing that stinks about bringing your giant NY-style purse as your only carry on is that a) you have your giant NY-style purse as your only bag and b) you will constantly be emptying and refilling with the travel only stuff whenever you get to where you're going. Ultimately, I decided on a purse that could get shoved into my carry on or suitcase and used my Mary Poppins-like North Face backpack as my carry on about 99% of the time.

Do you have a Nook/Kindle/E-reader? If not, and you have the money, invest in one. It will change the way you travel. I got a Nook Tablet for my birthday, and hated it for about a week, but the first time I got on a plane and could read Game of Thrones without hauling that monstrosity along was just incredible. Also, you can do magazines on there! And you can change your mind. No GoT? Just pick something less intense, and BAM! you are reading something new. Also, because I had a computer provided to me on tour, I was able to just bring just my Nook with me most weekends. That may not work for you, but it was great for me.

Lastly: Noise canceling or noise isolating headphones. Just do it. These Mee Electronic ones are winners, and so much cheaper than Bose or Beats. Also, think about buying a bunch of generic earbuds on eBay to stash all around. Also, a real travel pillow. No blow up bullshit. Worth the space.

41
The Hardline / Re: Showcase Costume Fittings
« on: Oct 03, 2012, 11:42 pm »
During rehearsal hours only in my experience. The point of the showcase is to leave the actor as free as possible to do other things whole rehearsing for the showcase. You can't make them come in during nonscheduled rehearsal hours.

But like you said, check with equity. I'm almost positive that will be their answer.

If I recall correctly, the answer is actually the opposite of this. (Full disclosure though, this conversation was a few years ago. They could have changed their stance on this or I just just be wrong. But, to make sure I understand their answers completely, I do ask very specific questions, such as "If I'm rehearsing 6-10pm, you're saying I can schedule a costume fitting at 12pm?)

In my numerous conversations with Equity about this, they have told me that working on a Showcase is basically the equivalent of volunteering one's time, and so fittings can be scheduled at any time during the day, as long as the actor is amenable to that time, and as long as the fitting is included in the total number of hours allowed per rehearsal day, which on a regular showcase is 6 hours. You'll notice that on the Showcase code there is no span of day limitation, so it's 6 rehearsal hours, not 6 out of 7. Theoretically, a fitting could be scheduled for 11am, and rehearsal scheduled for 7-11pm.

In my past experiences on showcases, I personally always try to schedule fittings during (or immediately before or after) rehearsal unless it just isn't possible for whatever reason, and then move on to hours outside of rehearsal that are at the actor's convenience. A very specific example of this would be fittings at the Costume Collection, where fittings on-site must be scheduled in advance and only during their specific hours of operation (9a-5:30pm and last checkout at 4pm). If you're working on a show that only rehearses in the evenings, scheduling a fitting during rehearsal hours won't be possible.

42
Tools of the Trade / Re: Free Stuff for Artists
« on: Sep 21, 2012, 11:21 pm »
I just wanted to second the mention of the Actor's Fund - especially The Hirschfeld Clinic here in NYC.

Any performing artist, who can prove this w/ financial records or by showing a union card, can get free or low-cost healthcare at the clinic if you don't currently have insurance. I've lived here for 5 years, and never knew until this past summer when I needed to see a doctor and my health weeks had run out.

Checkups, sickness visits and more - all free to you. All you have to do is call and make an appointment. They explain what you need to provide to prove you work in the arts if you don't have a union card and that's it. If you need tests, I believe that anything the clinic doctor (and those I've seen are wonderful) orders is free (and if not at a greatly reduced cost) and they also gave me a discount card for prescriptions.

Seeing a doctor at the Hirschfeld was honestly one of the most stress-free and pleasant doctor-going experiences I've ever had.

43
I love the Purex sheets. I keep them in a bag in the front pocket of my suitcase at all times. They are not the best for handwashing....you have to get the water really hot. They will, however, work in a pinch. Also, the fabric softener requires heat to work in the dryer...so if you dry your clothes on low heat they will probably be very full of static.

I love the Purex sheets too! Also - it was recommended to me by a friend to use powder laundry soap. That way, even if it spills, there isn't a slimy mess in your bag.

44
Tools of the Trade / Re: Looking for suggestions
« on: Sep 14, 2012, 11:49 am »
(also big hands . . . you know what they say about a SM with big hands . . . )

Big work gloves?

45
The Hardline / Re: AEA Staged Reading Contract?
« on: Sep 07, 2012, 11:38 am »
Staged Readings only falls under the 1-page guidelines, if I remember correctly.

If you're doing a workshop that rehearses for a number of weeks, and not just the 20, 30, 40 etc that a reading normally is, it references a contract.

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