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Messages - jemason

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1
Students and Novice Stage Managers / Re: Shadowing: General Q&A
« on: Aug 08, 2008, 05:58 pm »
Would anyone know any good SMs or theatres in the Portland area that I could shadow this winter (Dec to March), or in the DC/NY areas next summer?   

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The Hardline / Re: Possibly Stupid NYMF Question
« on: Aug 08, 2008, 05:35 pm »
For those of us newer to SMing... what does NYMF stand for?   

3
Employment / Re: Geva Theatre
« on: Apr 21, 2008, 08:36 pm »
I have not worked there but I have thought about applying there as SM for a show or two for experience..  let me know about your experiences!

4
Amazingly enough,    some actors chose NOT to wear any underwear...   

   We recently finished a production of "Agamemnon,"  where all the actors wear very little clothing (Greek era), and a few of the male actors were self-conscious about anyone in the house seeing their briefs so we had to deal with problems such as "dead bodies" dropping character to tug on their costume to make sure they were covered up.    The biggest issue (which probably only I am so very lucky enough to have experienced */end sarcasm*) was one actor in particular, who decided that he was more comfortable with boxers over briefs, and since boxers were not allowed, eschewed wearing underwear altogether.    Of course, the angle from where my "booth" was (a table with a lightboard next to the house bleachers in a black box) meant that I was the only witness to a very obvious lack of underwear on his part.(s)

 :-X     

5
Tools of the Trade / Re: [FAQ] What goes inside a SM Kit?
« on: Mar 30, 2008, 01:48 pm »
At the previous college I worked at, they had a big toolbox full of things,  specifically for stage manager use, called the "godbox."    When I first started, I didn't know why it had such a funny name - now I do!  ("Stage managers ARE God.")

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Tools of the Trade / Re: MY NEW TOY!
« on: Mar 30, 2008, 01:27 pm »
I look forward to the day where I can get a MacBook of my own :P  Just curious, what are your opinions of the new Mac Air?   It looks so thin!   I'd love to be able to carry around something that light, but then I worry that it would break if I dropped it (not that other laptops wouldn't also break),  or even bumped it.   Might be good for simple things (like organization and notes during rehearsal) but not graphic/memory-intensive programs, or that is the impression I get.   

7
I am more than happy to help the technical director with building, painting, or whatever else needs to get done, but I would NEVER think of trying to do something on my own without his O.K. first.  I am surprised he did see it from a different perspective, as in most cases that I am aware of, the responsibility of the build of the set (and any related safety issues) belongs to the tech director (as well as anyone in charge of the set, such as head carpenter, etc.)   

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The Green Room / Re: SMs in media?
« on: Mar 29, 2008, 08:45 am »
There is an online comic (not currently being updated frequently), but I still found it amusing to read at times:

 http://thespiphobia.comicgenesis.com/    (It's a comic written about theatre from someone who is involved with the tech direction side of things).

       One section from the "Lingo" link I really liked:

In is down, down is front,
out is up, up is back,
off is out, on is in,
left is right, right is left,
a drop shouldn't, a prop doesn't,
a purchase line will buy you nothing,
a block and tackle does neither,
the Green Room isn't (Thank God),
strike is work, and a run crew rarely gets anywhere.
Break a leg. (but not really).

Shut up still means shut up.


I got most of this (although I'm not sure what a purchase line is, nor a tackle, in relative terms of theatre), but it's still fun. :)

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Stage Management: Plays & Musicals / Re: Cast Gifts/Thank Yous?
« on: Mar 28, 2008, 07:13 pm »
Interesting... I always wanted to go to the farmer's market and get flowers for everyone for opening night - but it never happened.  Instead, the stage managers just collect $ from everyone and give the director a present themed to the play during the cast party after the last performance. 

10
Just curious...    I'm not sure if this situation is based on the ability to see what is going on backstage as opposed to sitting in the house with only a view of the stage...    what if you were able to sit in the back of the house in the stage manager/tech booth with monitors showing what was going on in both sides of the wings AND a full view of the stage?   

   I prefer sitting in the back of the house with this capability (as I am deaf and can easily communicate through the monitors using sign to my ASMs, and I have a flashlight on hand in order to get anyone's attention if they're not paying attention to the screen).  I have been an ASM sitting on one side of the wings during a show, and I find it would be extremely difficult to call a show (with deaf actors) from backstage.    There have been situations where I would be "shouting" at one of my ASMs to go find a wayward actor who was about to miss his cue, and pulling out my hair, but in the end, always, miraculously the actor would appear, right on time, and the only time an actor was actually visibly late for his cue was when I was acting in a production of Macbeth and couldn't do anything about it  - what I as a stage manager wouldn't give for psychic or telepathic communication ability!   (<"Get on the damn stage NOW!">)   

11
In my college experience, I usually always went to the auditions, set up the table with script excerpts (depending on the director), passed out audition forms, marked each one with a number as they were given to me (which determined the order of the people going in to audition)....  this usually got confusing pretty quickly when the director wanted people to audition in pairs and someone would choose someone else who was further along in the line (having to rearrange all the numbers is a pain).     Sometimes I would help pair people, especially the last minute applicants.     And make sure they put their schedules and availability on the back of the sheets, basically anything that would help the director make their decisions.
 
  Good luck with your paid job and asking the director what is expected of you is always a good idea (and then going above and beyond).

12
Students and Novice Stage Managers / Re: The Ultimate Decision
« on: Mar 26, 2008, 03:09 am »
Kind of strange...    I was a shy little kid, but enjoyed drama in middle school and moved up to a small traveling deaf drama missionary group in high school, but was too shy to try out at my high school drama group.   I did try out for "Romeo and Juliet" in college but was rudely rejected by a director who made her entire basis of decision based on the clothes I happened to be wearing and did not watch my performance at ALL (I sign, so in order to "listen," she would have had to actually look at me, which she didn't). 

    After that I sort of gave up and just focused on school, when my friend decided she needed me as her assistant stage manager, as she had tried out for a role and didn't make it, so the director gave her a stage managing role instead, but since she was new she didn't really know what to do.  I really wasn't interested, it didn't sound that interesting, but it was for "only 3 or 4 weeks" so I decided to give it a try.
 My responsibilities were mostly centered around the props and cueing the actors backstage (boy did we have a lot of food props for the poor actors to suffer eating every night!!)   The play was "Beast on the Moon,"  and we went to Canada to perform during spring break.   

   I enjoyed it but was surprised that my hard work got me a job not as a stage manager (for school credit), but a paying job as an.... electrician???     I learned my way around a few lights and color gels (my seniors really liked to put me to work sorting all those color gels!!) but I quit after a few months since I was not learning anything and I was not happy with all the bickering and squabbling between the master electrician and the technical director (who nobody likes).
 
      Later I got an email from the same director I worked with before and he requested that I be his stage manager for "Shape of Things."   From that point on, I was hooked, and even started  asking different directors if I could stage manager their shows.  It eventually got to the point where I was being pulled out of other shows where I was one of two assistant stage managers for the big theatre to go be the stage manager for a smaller play in the lab theatre that lost their stage manager (or in one case, fired). 

       While I was stage managing (for the first time) "Shape of Things," the co-director asked me if I would go intern for him as a stage manager at Gallaudet University after I graduated.  I said yes, but I didn't graduate for 3 more years.  Every year, he would come back and ask me when I was going to graduate.     Finally, I said, I graduate this year,  can I come intern for you?     

      And that is where I am now.  :)     

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