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Messages - DeeCap

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91
A friend of mine is directing a college production of "Annie Get Your Gun" and needs help with one technical effect.

It's at the end of Act I, Scene 3 when Annie is on a trapeze and is shooting at the balloons. We have an idea of what to do with the shooting the balloons, but not sure about the trapeze. The space has no fly-rail system.

Any thoughts? The director is very flexible, and can change it to something else.

Edit to add topic tag. -Maribeth

92
Great and scary article.

93
Employment / Re: Phone interview for opera company
« on: Nov 28, 2012, 10:03 am »
I agree on the smiling; they do hear it. Also if you can stand up while talking on the phone. I've heard that it makes you sound more confident.

Good Luck!

94
December Madness I: 2012 / Re: December Madness!
« on: Nov 27, 2012, 02:27 pm »
Gaffe tape girl since 1990 (that's when I learned about the stuff) but I think spike tape might be the one to beat.

Dark horse is Mor-Tite. That stuff sat in my kit for years.

95
Self-Promotion / Re: THE CHRISTMAS ROSE Carnegie Hall
« on: Nov 26, 2012, 12:13 pm »
Now THAT's a production!
I just did a show where we had 125 chorus members and 100 member orchestra. Can't imagine adding dancers to the mix.
How big is the orchestra?

96
Tools of the Trade / Re: HELP: Static Electricity?
« on: Nov 15, 2012, 10:34 am »
Dryer sheets are good. I've use Static Guard which helps. You can spray your clothes before you put them on.

Also make sure you moisturize (I can't live without my hand cream in the winter) and drink more water than normal.

97
The Green Room / Re: When the phone DOES ring...
« on: Nov 14, 2012, 03:27 pm »
I'd much rather see yourname@yourdomain.com, rather than yourname_4412b$%^#x@gmail.com or--even worse--sexylips4412@theatreschool.edu.)

How did you get my email?   ;)

98
The Green Room / Re: Smallest Audience Size
« on: Nov 09, 2012, 12:53 pm »
I once worked a rental which basically amounted to a vanity production: this actor (who had moved cross-country) was desperate to break into the big leagues, so he rented the theatre on his own dime and mounted a one-man show.

His cheque cleared, so why not, right?

The week before his performance, he called the box office to see how it was selling.

Nothing. Not a single ticket.

And he was furious. He was under the impression that we would do all of his promotional work for him. (Never mind that he was renting our cheapest black-box space for a single performance--and at the sliding-scale "community and independent arts" rate, at that.) But never mind: he'll rise above our obvious incompetence and arrange for posters himself. Huff huff goodbye huff.

So he shows up for his 7:00 performance at 6:30 and hands his stage manager a stack of posters, instructing her to put them up around the city, then has a hissy fit when she explains that that's neither her job, nor is this the time. But we get over it, he gets changed, and walks into the house to begin.

There are five people in attendance:
- His boyfriend. (Comp.)
- His neighbours.
- His sister and her date. (One comp, one paid.)

But he performs anyway.

I'll withhold commentary on the quality of the performance, but here's the important thing.

They all left at intermission.

Every single one.

Awwwwwwwwwwwkward.

That's amazing. Did you even do Act II?




Post Merge: Nov 09, 2012, 12:58 pm


I did have a performance once where NO ONE SHOWED UP.  Box office never released tickets to sell - we showed up, started pre-set.  I was waiting to touch base with house management - and it became apparent - no one else was there.  (This of course is much better then box office calling you and asking where everyone is for an added performance where they never told production.  Sad really.)

When I left the theater I was working at for a few years a friend of mine who still worked there called me and told me that Box Office/Administration  failed to inform the cast that there was an evening show following the 2pm Sunday matinee.

The cast consisted of one person, who was about to leave to take a 3 hour train ride to NYC. They had to call him on his way to the train station.

99
The Green Room / Re: Smallest Audience Size
« on: Nov 08, 2012, 11:03 am »
I was an ASM on a show where 8 people showed up for a matinee. A local critic said the show was one of the worst he has seen and that the artistic director should be fired for allowing this to happen.

100
The Green Room / Re: Inside the SM Office
« on: Nov 07, 2012, 09:13 am »
1. What is your favorite word?
Pfeffernusse (A German spice cookie)

2. What is your least favorite word?
     Moist

3. What turns you on?   
   My wife

4. What turns you off?
    Ignorance

5. What sound do you love?
   Silence in a rehearsal room

6. What sound do you hate?
     Snoring and chewing loudly

7. What is your favorite curse word?
     Bats*%t insane

8. What profession other than yours would you like to attempt?
     Operations management.

9. What profession would you not like to do?
    Company Management

10. If heaven exists, what would you like to hear God say when you arrive at the pearly gates?
      You had trouble believing in me, but I always believed in you. Get in here.

101
The Green Room / Re: Catchphrases
« on: Nov 06, 2012, 12:40 pm »
"We're working on it"

"Quiet please"

and

"I need a drink"

102
I've had my aol account since 1995.  I find it interesting to see designers who do the bulk of their work on their fancy computer and they have an aol account.

103
I'm a mix of paperless/paper.  I don't think I can ever call a show from an i-pad, but I do appreciate having a Dropbox.

Unless everyone in the industry is up to date with technology, we'll have to have hard copies. I've worked with designers and actors who still use an AOL account as their main email. 

104
The Green Room / Re: Reviews
« on: Sep 27, 2012, 01:51 pm »
I haven't but I did read a review in a small local paper where the critic thought the scene changes went badly and blamed the stage manager. I felt bad for the SM. That would have killed me.

105
Looking for "Five Women Wearing the Same Dress"

Thanks!

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