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Messages - loebtmc

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826
Does your contract include an MRE clause? There are very specific rules dealing with time frames for notifying producers. But my guess is, this is a full contract that has a living wage and therefore doesn't include an MRE.

When I work with name actors who work alot in film/tv, I make sure we have regular u/s rehearsals in contracted time frames so we avoid the worst of the last-minute situations, and only do put-ins when absolutely necessary.

And yes, I do ask my cast to discretely give me (and only me) a heads up if they think they might miss a performance so we are all ready to roll no matter what happens. We can discuss what needs to go to producers and what can be handled in house. But if it happens so much it becomes abuse, then the producers may need to replace the actors. And if you end up needing to work on your day off for any reason, yes you shd be paid. I have worked with understudies in particular situations requiring rehearsal on my day off, for example an actor injured himself Sunday night in a 2-man show, we needed to rehearse the u/s on Monday and do a put-in on Tues afternoon before the evening show. And yes, I was paid my percentage for Monday.

827
The Hardline / Re: SETA and Tier contracts meeting
« on: Aug 07, 2010, 10:30 am »
Agreed - had to leave early for a rehearsal but I learned so much. Babens, VSM, anything important dispensed after our original host had to leave (I followed shortly thereafter)? (that was abt 11:30 West Coast time)

828
I love the play - one of the best I've read in a long time - and thanks for the notes chrrl - we are discussing how the projections are gonna work, and also what real food/perishables we will choose to have (the only definite food I see listed are apples, choc ice cream, something to stand in for the casserole - prob stovetop stuffing - and lots of tea and coffee)

First time in a while I am excited abt my new show!


829
Doing The Clean House and excited about this gorgeous piece of writing -

anyone else done the show? Just checking for tricks/traps or things to be concerned/aware abt

(and how you dealt with the only, but insane QC at the end where Charles and Ana become mom and dad one more time)

Thank you~!

Added tag to subject line-Rebbe

830
cherry lane will not producer for a year due to budget deficits

http://www.nytimes.com/2010/07/29/theater/29cherry.html

831
Quote
a number line on the stage

Yes, for musicals we run numbers across the downstage edge, with 0 at center and going R and L, labeling every 2 feet in each direction (in ballet, I was told, the stage is marked every 4 feet with 1/4 and 1/2 stage featured on either side as well eg sometimes a rope lite along the lip w a specific color light at center, 1/4 and 1/2 stage in each direction - but feel free to correct me please)

The simplest explanation is that choreographers and directors in musicals use these to place/space people in rehearsal, esp when there are lots of people or a large stage - This enables an easy transfer to the stage, makes sure spacing stays consistent nightly, and also is great for touring since the ensemble members can line themselves up to their respective numbers on any stage.

832
The Green Room / Re: Stage managing your life
« on: Jul 18, 2010, 07:46 pm »
are you coming to the labyrinth of jareth (she said, two days into too late) - darn I have friends who were working/performing, would'a been fun to connect you all

if so please share! and if not, ah well, best guesses are sometimes wrong.

sorry we won't get to hook up and have SM drink nite while you are here!

833
The Green Room / Re: What did you learn today?
« on: Jul 18, 2010, 02:48 am »
(OFF TOPIC)
ooh what's the show?

(ON TOPIC)

834
Employment / Re: Work On A Cruise Ship?
« on: Jul 16, 2010, 03:25 pm »
you might want to spend a few minutes checking around the board before asking any specific questions - here are three topics of discussion on cruise lines, and there are quite a few more - use the search function to find the rest! good luck

http://smnetwork.org/forum/index.php?action=post;topic=5559.0;num_replies=0

http://smnetwork.org/forum/index.php/topic,1963.msg11701.html#msg11701

http://smnetwork.org/forum/index.php/topic,4560.msg27966.html#msg27966

835
The Green Room / Re: unusual rehearsal spaces
« on: Jul 15, 2010, 02:18 am »
I have rehearsed in empty office spaces in buildings awaiting rental or destruction, and outdoor sidewalk/communal areas where we used sidewalk chalk to "tape" the stage daily. And these were for normal plays, so this doesn't count the environmental productions where we actually were using nontraditional spaces to perform.

836
each opera company is different, so you might ask them for a copy of the current contract - but look at any other to get a sense of how things work and whose rules trump (ie is your house crew IA?) -

837
The Green Room / Re: Are there any AEA SM moms?
« on: Jul 10, 2010, 10:56 am »
I will see if my friend (who raised 2 daughters working on some pretty decent contracts) will contact you privately (she isn't on this board) - one good thing, she raised girls who aren't afraid technology or non-traditional roles.....


838
again, a magician can solve all of this for you in a heartbeat - they do it all the time. This is a standard, basic magic trick.

I used to know several magicians in St Pete, but they have all moved away so I have no one to refer - but I recall several good magic shops, and certainly there are plenty of magic shows in the area (birthday parties and the like) - not sure why you are resistant to this, but it's so easy and eliminates reinventing the wheel and having someone who has already solved this (or something remarkably similar) give you an immediate answer.


839
Employment / Re: CAREER GROWTH: Taking control of your career
« on: Jul 07, 2010, 06:23 pm »
Quote
I would ask yourself: what do I want from my career? Take some time to list your career goals, what do you want next? And after that? What time period are you looking at that's reasonable to accomplish these goals? What do you feel you have to do to accomplish/move your career forward? 

Maybe I am reading this incorrectly, but I think Matthew's initial topic is not so much a "how to get clear and decide what I want/manifest my dreams" kinda qq but rather a practical discussion on steps people take to open doors to jobs once they decide where they want to be; a veritable road map, as it were. So it's not so much "wow I would really like to be on a production contract" but instead "to get my first production contract I observed X shows and stayed in touch w this or that PSM" /"chatted up PMs in the local road houses and left resumes" / "took everyone for drinks and got them to sign binding contracts while snockered" kinda stuff. For example, I really want to work in the big contract houses locally and have done all the traditional steps to get them to know me, and I have done the personal work - but enjoy learning (for example) how others opened up seemingly locked doors or overcame specific prejudices (age/gender/etc). What kinds of qqs did the PSM love being asked when you observed, how did you stay out of their way but still impress enough to be put in the rolodex - that is, practical actions taken.

In other words, how to take control of a career where luck, chance and happenstance are as much a part of the deal as skill and experience.

At least, that's what I think this topic means to share. Please feel free to correct me if I misunderstood!


840
The Green Room / Re: Are there any AEA SM moms?
« on: Jul 07, 2010, 12:28 pm »
It's a running theme - the SMs I know with kids take them along to rehearsals and techs etc - even put them to work when they get old enough.  Sometimes they relied on backstage crew or actors not on at the time when they had to take care of something NOW, and sometimes they had help from family or partner or fellow SMs who weren't working for 10/12s and other unconscionable situations for (especially younger) kids

Their kids are all theater-savvy now, are not afraid of technical things, are problem solvers, and feel comfortable (even at home) wherever they land. Overall, despite stressful moments for all, it was a good thing

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