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Messages - KMC

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721
Tools of the Trade / Re: paper mache
« on: Oct 16, 2008, 10:47 am »
sgustafson, have you begun this production yet?  If so which option did you go with for the lost boys hideout? 


Also, JMC, I read your post and I'm not sure the nightclub fire you mention is particularly relevant to this thread.  I studied this event exclusively in class as it happened while I was in college.  The foam that caught fire in the station night club was actually acoustic foam, not blue foam.  The source of ignition was pyrotechnics.  The placement and use of the pyro was incredibly negligent, which is what lead to the fire.  Also, I didn't remember blue foam burning so readily (have actually done a flame test on it some years ago).  I did a little bit of research and here's what I've found.  Keep in mind these ratings are by US organizations and to US standards, I'm not sure how it would stack up to your specific location (If you're actually outside the US).

Here is the Material Safety Data Sheet for "Blue Foam" that is used by many theatres.  Reading all of the information below, it's fairly clear that blue foam will not actually perpetuate its own flame.  That is not to say, however, that it won't burn if there is a steady source of flame.  Though the foam has a flame-retardent additive, of course it's still going to burn under certain conditions, just as wood, muslin, or any soft goods in a theatre would burn.

Under the regulatory information in Section 15 where all hazards, including fire, are required to be listed the msds reads:
Quote
U.S. REGULATIONS
====================
---------------------
SARA HAZARD CATEGORY: This product has been reviewed according to the
EPA "Hazard Categories" promulgated under Sections 311 and 312 of the
Superfund Amendment and Reauthorization Act of 1986 (SARA Title III) and
is considered, under applicable definitions, to meet the following
categories:
Not to have met any hazard category

The definition of "fire hazard" for the purpose of msds disclosure reads "A chemical that is likely to burn or support fire". 

Also, the NFPA ratings are below.  Have taken the numbers from the msds and the explanation of each number from NFPA's website.

NFPA (National Fire Protection Agency) ratings
Flamability: 1.  "Must be preheated before ignition can occur" (The only lower rating is 0, which reads "Materials will not burn".  So basiaclly anything we use in theatre will score at least a 1  ;) )
Health: 0.  "Exposure under fire conditions would offer no hazard beyond that of ordinary combustible materials."

I don't mean to take on any type of "I told you so" attitude, just want to make sure our members are receiving accurate information. 

As a side note to anyone reading this, generally I think it is a good idea to read the MSDS anytime you're working with a new or unfamiliar substance (especially any kind of chemical product).  It includes valuable information about how to handle the product, and any precautions you should take.

722
Tools of the Trade / Re: The Blackberry
« on: Oct 13, 2008, 09:52 am »
Several weeks ago I was put on blackberry for work.  I thought I'd use it for a few weeks before replying to this topic.  My overall thought is actually very similar to my original post on this topic on June 25. 

The ability to send and receive email, sync contacts, calendar and documents on the go certainly offers a level of convenience that we did not have five or ten years ago; I think this capability offers an even higher level of convenience for a freelance stage manager who many times does not have one central office location outside of home.  Phones with a GPS feature combined with google maps could be incredibly advantageous to a touring SM or Company Manager (or to anyone on tour, for that matter) or when working in an unfamiliar location.  Is having a smartphone a necessity?  No.  Does it make the job easier?  In many ways, I think it does.

Undoubtedly there are a multitude of potential pitfalls with a smartphone.  I have been on the receiving end of many emails sent from a blackberry where it's painfully clear that the sender was either distracted by something else or did not fully comprehend the email to which they were replying.  In these cases I think a smartphone does more to hinder communication than foster it.  Also, the physical addiction has been mentioned in several previous posts. 

Pitfalls aside, it is clear that the smartphone is here to stay.  In my opinion the key is, as with any piece of technology, to use it not as a crutch to stand on, but as a tool that aids us in doing our jobs.

723
Employment / Re: Taking Time Off
« on: Oct 11, 2008, 12:21 pm »
Toss another vote in the hat for doing it!

It will definitely be a great experience for you, and I think it will actually help your career as opposed to stifling it.  It'll show potential employers your character and desire to help others, which is a very desirable quality for any employer.

724
Employment / Re: Websites
« on: Oct 10, 2008, 02:51 pm »
After seeing everyone's very nice websites, I decided that I needed to update mine.  Had to learn some new CSS and HTML in the process.  But, I'm rather pleased with the result: www.jessicafugelsang.com

Clean design, neat and very easy to navigate.  Well done!

725
Tools of the Trade / Stage Management Software
« on: Oct 07, 2008, 09:16 am »
Over the past month or two there have been numerous posts about fee-based stage management software services.  As technology ties in to stage management more and more I suspect we will see more of these services offered. 

I am curious what each of you think about these offerings.  The major obstacle for most theatres when considering a service like this is going to be cost.  For the sake of discussion let's throw cost out the window.  What are some of the benefits of these services?  What are the drawbacks (aside from cost)?  Let's hear your thoughts on the subject.  I've placed links to the software services mentioned so far in this forum.  I'll add my thoughts as we get further into the discussion!


  • Virtual Stage Management
    This was most recently mentioned by SM.Robert.  I believe this piece of software has been mentioned in the past as well.
  • Virtual Callboard
    This was mentioned in a previous post by johnB.
  • Previous thread on 'The Internet'
    This is a previous thread discussing how we use the internet as a tool to communicate.  I think it is a worthwhile backdrop for this discussion.

726
Tools of the Trade / Re: need some SFX help!
« on: Oct 05, 2008, 10:31 am »
Is it possible he's loading the wrong show into SFX?  If your op is loading an old version of the show (maybe one the sound designer was using to build the show originally) it likely doesn't have the correct cues, and would also explain why the errors are consistent.

727
I would meet with the prof of the stagecraft class and let him/her know that you have too many crew.  I'd imagine that some of the bigger shows are hurting for crew - my experience in these types of settings is that the most crew sign up for the least demanding show as it's much easier.  Chances are they could re-assign a good number of those crew to a bigger show where the help will not be wasted.

728
Students and Novice Stage Managers / Re: any jobs out there
« on: Sep 24, 2008, 10:30 pm »
I second Mac's thoughts.  When posting on a professional forum like this it's considered appropriate to use proper grammar, punctuation, etc..  I see you're in school - a good analogy may be to think term paper vs. IM conversation.

For employment opportunities, check around where you live; see if there are any community theatres or smaller professional theatres in the area.  They may not be able to actually employ you, per se, but a lot of theatres are always happy to have volunteers, and it would be a great way for you to gain some experience.

729
Students and Novice Stage Managers / Re: Dry Ice on stage
« on: Sep 22, 2008, 08:50 am »
I'd recommend a smoke machine or hazer.  As Paul mentioned in his previous post the dry ice "smoke" will sink and lay on the floor.  Dry ice can also leave some nasty condensation that can turn into a slip hazard on stage, can be very inconsistent and is a pain to store/prep each night.  A hazer or smoke machine will give you a consistent effect that is right on cue each time.

Being that you're in Pittsburgh, may want to contact someone at Vincent Lighting.  They may even give it to you a bit cheaper if you explain you're doing a student production.  During my time at Penn State we rented from them a few different times and they were always very accommodating. 

730
Glad to see the situation was resolved!  Let us know how tech goes  :)

731
Employment / Re: Prior non-theatre experience on resume
« on: Sep 14, 2008, 06:52 pm »
Having just left a job where I looked at plenty of resumes, I'd say including the information on your resume will help you.  It will actually fill in some holes for any potential employer.  If you didn't have this on your resume in some way, they'd see a resume with one year of theatre experience and a business degree from nearly 30 years ago.  If I was looking at you for a potential job I'd say "Well theatre experience from 2007-2008(ish), and a business degree 30 years ago.  What has been going on the past 29 years?"  Including this info in your resume will fill in that hole, and as you mentioned - there are skills that certainly carry over, so put it on there either way!  And as LJH mentioned, use the cover letter to help your potential employer understand what specifically carries over to the theatre.

732
Tools of the Trade / Re: What software do you use?
« on: Sep 12, 2008, 01:22 pm »
MS OneNote (a savior)
Windows Journal (for scribbling notes during meetings and rehearsals (I use a tablet PC))

May I ask what you use OneNote for?  I've also got a hybrid tablet PC (converts from laptop mode to tablet mode) that I bought specifically for Stage Managing.  When I was in college I did an independent study course where I experimented with, among other things, Microsoft OneNote and potential stage management applications.  I found a lot of useful features, however my conclusion that it was a bit too labor intensive and cumbersome to make it worthwhile.  Perhaps you have found a better way to use it - please enlighten me!

733
Just curious why she is expecting a salary in educational theatre.

Many of us paid for experience in school - I'm sure plenty out there can relate!

734
Tools of the Trade / Re: paper mache
« on: Sep 11, 2008, 04:31 am »
I'd check out some blue foam (link below).  The link is for 1/2", but you should be able to get 1" or 2" pretty easily. 

http://www.lowes.com/lowes/lkn?action=productDetail&productId=15348-46086-15348&lpage=none

You're able to glue multiple sheets of it together pretty easily to achieve your desired thickness.  Best way, in my experience, is to throw some liquid nails between each sheet then stage weights on top to keep pressure. 

Once the adhesive is set you're free to cut it into any shape necessary.  It's much cleaner and neater than paper mache, will hold up much better, is exponentially more malleable, and is much easier painted, decorated or textured to what your specific application calls for.

One possible way to create many bricks!

735
Tools of the Trade / Re: Online Stage Management Software
« on: Sep 09, 2008, 11:10 am »
I think the biggest stumbling block for me with this service is what do I, the stage manager, actually gain from this service? 

Quote
A powerful and simple stage management tool
Until now, stage managers, directors, and venues have had to rely
on photocopied calendars and handwritten forms. Even the most
technically advanced theatre groups depend on numerous different
programs: word processors, databases, and spreadsheets to produce
schedules and forms with unreliable results. Now you can benefit from
Virtual Stage Management (VSM), a personal, interactive website that
combines show management, artist accessibility and social networking
in one powerful, simple, and user-friendly online application. Now,
managers can supervise the action of a production while artists receive
and interact with up-to-date information. Information is incredibly easy
to update and access. You can store unlimited information on cast,
crew, and staff to create a valuable resource. By eliminating a majority
of the time spent producing paperwork, artistic staff members are free
to manage more important aspects of the arts: good communication
and leadership while supervising your production.

I gather from the above blurb from [link deleted by moderator] that a subscriber is essentially paying for a few rough paperwork templates, online storage and a calendar application.  Every stage manager I know has already got enough paperwork to get the job done.  The type of paperwork and level of detail will vary between Stage Managers and between individual productions.  I imagine it would actually take longer to customize the downloaded files than it would to just create your own.  The calendar application could certainly be useful, but google calendar has been out for a couple of years now and is a completely free service that can be shared with anyone.  Finally, updating or accessing your latest information is going to require an easy and reliable internet connection, which does not exist in every rehearsal studio and performance space the average SM will visit through the course of a production.  Add to all of this that the product is likely beyond the price range of most theatres and we've got, in my opinion, a product that simply is not viable for the vast majority of professional stage managers. 


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