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Messages - Mac Calder

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691
Quite rightly so - pyro in school is a no-no in my books (exception being productions being run by a staff member, with tight control over pyro with decent safety measures in place and a huge amount of issolation between students and pyro) - but my post was more of a 'in non school gigs these are arbitary divisions that are my standard' sort of thing.

692
Well I may as well at my 2c as this thread has suffered thread necromancy:

In response to ESM_John - since I find that often LX is separate to Projection which is separate to sfx, I basically separate the 5 departments you described (Lights, Sound, Projection&movies, pyro and SFX) into the following: LX, Sound, AV, Pyro and Special (NOT sfx because it sounds too close to LX).

Cue numbering - I stick to numbers. I do not like letters. And I only use dot cues if cues are added during or after technical rehearsals (otherwise I renumber my book). I never call the "Cue" ("Stand by LX 15, LX 15 Go").

I believe the above is basically the norm - obviously the department names may change depending on the show, but really, the department names don't matter provided they are agreed on by the operators and sm.

693
SMNetwork Archives / Re: Just got a new book.
« on: Jun 19, 2006, 07:39 pm »
Lawrence Sterns book is basically the bible for stage managers. I have a copy which spends a hell of a lot of it's time on loan to ASM's and wannabe SM's.

694
SMNetwork Archives / Re: sore throat tech
« on: Jun 18, 2006, 10:26 pm »
Sleep is essential - I think most stage managers have (at one point in their lives) not slept much during tech week. 8 hours is recommended, although difficult to fit in. Sleeps shorter than 4 hours in duration are useless (Whilst you sleep you go through 3 different states, and it takes 4 hours to go through them all completely, and it is the last where most of the benefits occur, including bodily repair (ie the throat)). It is hard. In any other industry, the hours we do would be unacceptable (7am->11pm is not unusual during tech week when not working in a union house).

695
Stage Management: Other / Re: Stage Managing Dance?
« on: Jun 18, 2006, 10:12 pm »
Not so much stage managing, however the last dance show I worked on (about 3 months ago) was un oped. I just wondered if anyone else had done an un oped show and what their role was.

Basically, I was "Technical Manager/Director/Lighting and Sound Guy" - and I was basically told "You will have no operators". So I made the whole thing using SMPTE Time Code... It meant all the SM had to do was start each piece and hold a dead mans handle during scene changes.

It sort of left me wondering, what on earth does the SM do during all that free time where there are no lighting and sound cues (this was a 4 hour show with 12 dance pieces, automated flys and no other set)

696
Australia is basically the same as the British system, although some companies use the American theatrical structure. Our beginers is 5 minutes pre the go, like the UK. I posted this somewhere else, but this is my pre-show schedule for an 8 o'clock show.

Back Stage PA
2 Way Radio (sm to foh)
FOH PA
SM on Cans

1925
"Ladies and Gentlemen of the SHOWNAME company, this is your half hour call. Half an hour until Act 1 Beginers. Thankyou."

1940
"Ladies and Gentlemen of the SHOWNAME company, this is your 15 minute call. The stage is now live. 15 minutes until Act 1 Beginers, the stage is now live.
"Good evening crew, it's time to open the house. Can I have a crew call please"
(Insert "LX?" "Standing By" "Sound?" ....)
"LX 0, Sound 0, Flys 0 etc.... Go!"
"Front of House, this is Stage Management, you are clear to open the house.

1950
"Ladies and Gentlemen of the SHOWNAME company, this is your 5 minute call. 5 minutes until act 1 beginers
"Good evening ladies and gentlemen. This evenings performance of SHOWNAME will be commencing in 10 minutes. Please start making you way to your seats.

1955
"Will the house be delayed?"
IF YES
"Ladies and Gentlemen of the SHOWNAME company. The house is being held for 5. 5 minutes until act 1 beginers"
"Good evening ladies and gentlemen. This evenings performance of SHOWNAME will be commencing shortly. Please take your seats.
IF NO
"Ladies and Gentlemen of the SHOWNAME company. Act 1 beginners. All cast please stand by for Act 1 beginners."
"Good evening ladies and gentlemen. This evenings performance of SHOWNAME will be comming in 5 minutes time. Please take your seats.

1958
"Will Front of House be held?"
IF YES for more than a few minutes
"Act 1 beginners stand down"
IF NO
(Stand by all starting cues)
"Good evening ladies and gentlemen. This evenings performance of SHOWNAME will be commencing in 2 minutes. Please take your seats to facilitate a prompt opening of the show. We hope you enjoy tonights performance."

ON FOH CLEARANCE.
"LX 0, Sound 0 ...Go! Standby LX 1, Sound 1 etc (take us to black and end any preshow music)
"Good evenings Ladies and Gentlemen. Welcome to this evenings performance of SHOWNAME. We would like to ask that you please ensure you have turned all communications devices off, as these devices do interfere with some of our show control equiptment, and would also like to remind you that recording of this show, either through photography, video or audio recording is a breach of copyright. We hope you enjoy tonights performance." (not the actual greeting I usually use, but it is close)
"LX 1, Sound 1 etc.... Go!

And voila, the show has started

697
Tools of the Trade / Scheduling and Calendar Applications
« on: Jun 17, 2006, 11:03 pm »
Scheduling and Time Management are big parts of the Stage Managers job. So what tools and technologies are available to assist with the nightmare that is scheduling?

A lot of this really depends on what you want to do.

A bit about modern scheduling:
In the past, when I used to create schedules by hand, I would take a weekly calendar separated into 1/2 hour blocks and shade then take cast availability sheets and a list detailing each rehearsal that had to occur. And I would sit there for hours trying to make the schedule to work arround everyones availability. Now usually that was easy when working with professional casts, as they usually had 9-5 free with the odd occurance where it was not. However I also did amdram work, where there are often quite a few obstacles to work arround. The technique worked well, but was awfully time consuming, and it meant that I had to be available to write down availability problems. With the rapid expansion of the internet, now most homes in the western world have an internet connection, so it makes sense to use the internet to share this information.

Shared callendars used to be a feature included only in expensive company groupware suites, which charged hundreds of dollars per user. Now they are wide spread. The development of a standard format for a callendar (the .ics iCal format), combined with online groupware means that now, scheduling has become less of a nightmare. Basically, if I can get every member of my cast to create a shared callendar, and I create a range of callendars I share, what ends up happening is this:

Cast member A has a doctors appointment at 10:15 on Tuesday, B has to look after their child all day Wednesday etc. They each put this on their calendar. This calendar is syncronised with their calendar on the internet (either through the technology called WebDAV, or they used an online service like those listed below).

I, as stage manager, use a calendar program which loads all of my casts calendars from the internet. Now I need to plan a rehearsal for cast members A and B, it needs to be 3 hours in length and the director needs to be available. So I select each cast members calendar, my calendar, the directors and the production calendars, and I see there is a three hour gap on Monday that everyone is free. I create an event on the production calendar. The production calendar is then synchronised with a copy on the internet.

Cast member B needs to arrange a doctors appointment now for a checkup - nothing serious. He opens his calendar application, which automatically grabs the production calendar from the internet. So he looks at the calendar and sees that he  required at a rehearsal on Monday, however he has a free spot on Tuesday, so he books it for then. He updates his calendar, which syncs online.

Now these calendar applications are often capable of sending out invites, however I recomend you do that personally, and don't assume that they will all check the web based calendar every day. However systems like this make your life much much easier.

That said, there is nothing wrong with the pencil and paper method, or using excel or any other method. It is all down to personal preference.

One thing I am finding in my investigation into this area is that most online services do not support sharing amongst other services well. Some will import .ics files, and some will export to .ics but their main power is between people on the same service. The main thing that needs emphasising is that this technology is still in it's infancy.


Online Services:
There are a million of these - most of these have a 'free' and a 'paid' option - for most of us, free is fine, we just loose some of the feature set. This list is in no particular order



Quote
--MOD NOTE: Links etc to be added in the not too distant future--

If you could, I would love it if you find a service, write a snippet about it, it's feature set, does it import other calendars etc. Also, most of the links above need one too, so if you use one, write one, and I will add it to this list, and link to it from the summary here (as a way of providing user opinions before they go and check them out)

698
Tools of the Trade / A bit about this board and the moderator.
« on: Jun 17, 2006, 01:59 am »
Welcome to the Tools of the Trade forum. I thought I would tell you all a bit about what this forum is for, what sort of topics belong here and then a bit about myself.

What should go in this forum?
A friend once said to me that you can identify an SM by the fact that they have the correct tool for every job, and if they don't they can find something to do it with anyway. It is a philosophy I have lived my life by. But sometimes you come up against a problem and you are unsure what tool you require to do the job - do you need a leatherman or a swiss army knife? a tackle box or a road case? a scheduling program or just good old Excel? I hope this is the place you will come to. It is also for those cases where you are asked to pull a miracle out of thin air (Cigarettes that emit smoke, but have no flame, no fumes etc etc etc).

It is also a place for discussion of the tools we use - cue lights, cans systems, 2-way radio systems, computers, "the SM kit" and the like. It is a rather broad topic, but one that I hold dear to my heart.

So Who is Mac Calder (mc)
Well I am a Stage Manager along with a wide range of other things. I am skilled in information technology, I have a year and a half of electrical engineering under my belt and I lived on a farm. I am also a lighting designer, sound designer, flyman and when necessary, I can also sing and perform (although I would rather not).

I am an Australian - which means that sometimes I do things differently to US stage mangers and use odd terminology. Although if you could do me a favour, and spell colour with a u, mum with a u and say "write to so and so" instead of "write so and so" (unless "write so and so" is followed by "a message" or some such) I would be most obliged  ;D

Some little moderation issues I have
Well there is one thing I hate - posts that are rehashed over and over again (for example the kit issue) so in the not too distant future I hope to compile a FAQ stickied up the top of this board to keep it all in the one place.

Also, just as a nicety - if you could spell check your posts before you submit, that would be great - I know the forums don't have a spell checker, however if you install the google search bar (which is what I use) then the spell checker on that works great - or you could just type it in your word processor of choice and copy/paste it across.

Another (final) thing - I don't like excessive formatting. That basically means that if I read a post in here that is wrapped in a colour tag (the entire post) or has a huge scrolling marquee with no apparent purpose I will edit it and remove the tags - formatting is for highlighting a point.

Regards

Mac.

699
Students and Novice Stage Managers / Stage Managers & Computers
« on: Jun 15, 2006, 08:35 pm »
Ah yes - on tours, laptops are the worlds greatest devices. Especially with online banking. It means that whilst on tour, I can print out pay cheques, I can do funds transfers, talk to accounting etc. I can also manage reservations with hotels and I also use voice over IP to make phone calls from company numbers (and free calls to the actual company)... So I agree - a laptop is almost an essential when touring.

700
Students and Novice Stage Managers / Stage Managers & Computers
« on: Jun 14, 2006, 08:01 pm »
The use of computers for stage managers varies greatly. I like to keep hard copies of everything, but I do a hell of a lot of distribution via email. I type up my scripts, but I do not call from a computerised script (Some people do). I create all of my paperwork on a computer, and I even re do a lot of it on it.

Personally, I like the tactile nature of paper - and the fact I am not reliant on power, I don't have to turn it on every time someone wants some information that I cannot remember and that I don't have to worry about software crashes etc. At home or whilst I am 'at lunch' or during "Admin" time, I pull out the laptop, sure, and I do a lot of work on it (like checking SMNetwork  :D) but I try not to be reliant on it.

701
Stage Management: Plays & Musicals / Stop The Show!
« on: Jun 13, 2006, 01:11 am »
If I have the luxury to stop the show gracefully, I bring in the house tabs, fade up house lights to about 20% and use the god mic to say something like

"Ladies and Gentlemen. In the interest of health and safety we have had to momentarily stop the show. Whilst we sincerely appologise for the break in the flow of the evening, we take safety very seriously. We hope to resume the show in X minutes. Whilst you wait, please make use of the theatres facilities and we will alert you when the show reconvenes. Again, on behalf of the <<SHOWNAME>> Company, we appologise for this incident."

Then I bring up the house lights to full. Often I will get sound to put any preshow music on, or the band to play some of the music they have already played in the show.

However often you do not have the luxury of using house lights or flying in the tabs gracefully. In cases like this, I like to leave it in black whilst I make the announcement (again, along those lines) and THEN I shove a nice state on the stage, and turn on as many house lights as I can.

I NEVER say technical difficulties if I can help it - I did on my first 'show stoppage' and was unlucky enough to have a reviewer and in the review I got "The show was half baked and could have done with more time to sort out the technical difficulties which interupted opening night. Whilst the acting was superb and the set fantastic, it is a shame that it was let down by the backstage crew" - The technical difficulties were actually an actor who was being stupid kicking over the drum of water based hazer fluid, which shorted out the hazers and 2 dimmer packs. Not my crews fault. I was ropeable, as were my crew (understandably).

702
depending on the show, I have occasionally had to use the cut and paste method - however usually I retype or I use a photocopier to position and reduce as required. I usually use a regular glue stick (I will not give a brand name, because chances are you don't have them in the US) then photocopy the modified pages - It is quite tedious.

703
No, if Adobe PDF appears, that means that you have Adobe Acrobat. Office 2003 does not have the ability to create PDF's natively.

I think you will find that if you open any program and click print you will have the option to print to adobe PDF (The long and short of it is that PDF's are a virtual printout of a document, the PDF application installs itself as a printer on your computer).

704
Well, that is a good question with a quite complex answer:

Yes, I do have a full version of Adobe Acrobat, however I use it for more than just stage management - I also do some work with script writers and acrobats commenting tools are one of the standard ways to do it (so it was worth the investment for me).

Yes, I have used free online PDF converters (and I do not know any that do not water mark the documents, sorry)

HOWEVER: I can give you the location to download a legal, free PDF creation application which will not watermark the documents - DOWNLOAD HERE - It does not have all the features of Adobe Acrobat, it is purely for printing to pdf.

Another option is to use OpenOffice.org instead of MSOffice (OOo has the option to "create PDF" as standard) - the feature set is comparable, in fact many say OOo is better than MSOffice.

705
Quote from: "SMJon"
Too many times I see SM books with marks and writing and little notes that are completely pointless and just extra stuff to distract.  I once had a show with 5 lighting cues.  That's right only 5 and my call script had ...5 things in it.  That is it.


That is why I like to keep two scripts - I have my "calling script" - the only thing it has within it is cues. Then I have my "rehearsal script", which contains the lot. I usually use the rehearsal script up until the end of tech - then I have it all transfered into my calling script by first dress. I still do the calling script in pencil, because it is by no means permanant, but the book is usually in pristeen condition at the end of the run. The rehearsal script though, is a mess. There are notes on all sorts of things written in margins etc.

When I was taught to SM, my 'mentor'/'instructor' said to me "Before you call the show on dress #1, errase all the extra information that you do not need from your script" - well I did it that way, and by opening night, I was fed up with all the extra 'noise' on the page and had written a calling script. There is also an added bonus which I did not notice until I did my first tour. If you errase the extra information from your script, when it comes to maintaining the show, you loose all of the information you pick up during a show. With a rehearsal script, I can pull it out and say "No, we decided to do it X way because..." and voila.

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