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Messages - GalFriday

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61
Wow! This theater was such a part of my childhood and young adulthood...I think I worked there about a total of 4 years combined. My very first audition, first EMC Contract, first real theater job were all at Carousel.  Let us raise a glass....again...to another fallen comrade.

63
SMNetwork Archives / Re: Multi-tool advice?
« on: Aug 12, 2008, 01:24 am »
I like my Juice XE6. Yesterday one of the guys in the control shop returned it to me...they figured it had to belong to "the girl". Yes, I have been teased for my purple Leatherman. However, I have had it for years and it always finds it's way back to my hands. Speaking of which, my hands are small and I find this size more comfortable.

64
Stage Management: Plays & Musicals / Re: Tips for Packing?
« on: Jul 16, 2008, 09:45 pm »
I always pack:
A handful of Ziploc bags in Gallon and Quart size....I find them endlessly useful for organizing, storing, packing and throwing away food in the little hotel room garbage cans.

A small Bag with all of the medicines I prefer (ie Tylenol Cold/Flu vs. Advil).
I hate spending a day off looking for stuff that I could have packed in a small amount of space...especially when I do not feel well.

Some small item to go on my bedstand.....something to remind me of home. It is the last thing I see at night and the first thing in the morning. I bring a new thing each tour and later these items remind me of the tour.

A small bowl, spoon, small knife, corkscrew and fork.
Always keep cereal or granola on hand for those...oops I worked on the schedule until 2 AM and now room service is closed moments.
 

I carry my books in the roadcase until the end of the tour and then sell them at a local used bookstore. I love this because it means someone else will share my books, I make a little money for the small fortune I have spent on books and frequently I find a wonderful book store where I can buy a book for the plane ride home. The only place I could not do this was London. Oddly, I was informed (by more than one bookstore) that there were no used bookstores in London...only rare book stores which were NOT interested in popular fiction...huh

I generally pack about 2 1/2 - 3 weeks worth of clothes in neutral colors so I can mix and match. I get bored of clothes very easy and this amount keeps me somewhat happy and less likely to buy clothes just for something new instead of something special. NOTHING goes in my suitcase that can only be worn with one other item or that requires special care (ie..handwashing, ironing, dry cleaning). Those items always ended up staying in the suitcase the whole tour so I just stopped packing them. I would rather sightsee in Paris than handwash, iron, or try to find a dry cleaner.

This last tour we were doing 3 & 4 day sit downs. I packed my suitcases by folding and then putting the clothes in vertically. I loved that I could see eveything. I filled in the top with Eagle creek bags with various items (shoes, electronics, socks, etc...). Unpacking/Packing was fast because you just grab the bags off the top and then throw them back on top. When my laundry bag was full it fit easily on top of the depleted stacks and when laundry came back it was easy to slide in the new stacks....I have toured for years and this was the first time I felt happy with the way i had packed.

I am a big fan of the Samsonite carbon 2010 series. They are half hard with a soft top. So, you have structure to protect your wine bottles and wiggle room to throw in the souvenirs...those Ziploc bags are useful for the wine bottles too...Gallon size baby!

And I do still take the Shampoo/Conditioner from the room if they are nice. They are all in a Silver bowl in the Guest room for my guests to pick and choose what they want. I think I have enough to last about ten years :).

Happy Traveling - Dani



 

65
Was that Mike Stein? Is he still there - Wow!...I am glad they were able to assist you. Mike was the PSM when I worked there and would be interesting to follow.

66
I would recommend splitting the difference...the Cleveland/Akron Area has a wide range of theatres. I would suggest shadowing in an Equity non-tour environment...Carousel & Great Lakes are two places that come to mind but I have not lived in the Area for a long time. I would think these theatres would have more time to talk you through what is going on but still expose you to a more professional environment than a typical summer stock. You are very lucky to live in an area with so much theatre...and yet....a much less competitive environment than you might find in a larger city. Take advantage and remember there is a whole world of theatre outside of production contracts....   :D

67
Tools of the Trade / Re: The Blackberry
« on: Jun 29, 2008, 05:29 pm »
I love my Blackberry. However, self control does come into the mix. I would not check my email in rehearsal so I do not check the Blackberry. If I am expecting something REALLY important I have them send it to a special email address. This address has it's own settings and my Blackberry will vibrate even when on silent. I enjoy the freedom of checking me emails everywhere but freedom comes with responsibility :). I shall not become a slave of the little red light.

68
Employment / Re: Stage Management Salary
« on: Jun 29, 2008, 02:21 am »
Hi Matthew - I think I should have replied to your post re:advice for young stage managers....enjoy your twenties when you can take the gig that does not pay as well....housing included means much less when you still have a mortgage to pay. - D

69
Employment / Re: Stage Management Salary
« on: Jun 28, 2008, 08:31 pm »
Now that I have a house I have to fall in the higher category...no choice. At times I miss the freedom I used to have. Well, at least the real estate market is great in Vegas  ;).

70
Students and Novice Stage Managers / Re: Kooza SM
« on: Jun 04, 2008, 10:58 pm »
Vera Zuyderhoff is the General Stage Manager for Kooza. If you are interested in meeting her I would recommend leaving a note at the Box Office for her once the tent is in town. - Dani

71
Tools of the Trade / Re: Q-Manager
« on: May 23, 2008, 01:55 am »
Kay - You are incredible...that is all. - Dani

72
Tools of the Trade / Re: Management Books
« on: Apr 28, 2008, 03:34 pm »
I am not sure if I would say it is a book for Theatre but...

I read The One Minute Manager Meets the Monkey by Ken Blanchard about 10 years ago and learned a great deal. This book specifically deals with Managers who tend to take too much on their plate. It talks about how you do this not only at the expense of your job but also, to the detriment of your personal life. I think Stage Managers, especially young stage managers, want to be all things to all people and this book spoke to me about ways to manage that.

73
The sand/paint mix is a great way to give the stage grip BUT if you have dancers be weary. I seriously yanked my knee once after a very helpful tech crew gritted a stage over the day off. Our Stage Manager did not inform us this had been done until after the house was open and we could not go onstage. I managed to plant a turn right in a big pile of sand. I was out for the rest of the show...and the next week. The stage was sanded and repainted by the following day.

Sometimes helpful needs to be thought through...grrr...

And Stage Managers need to communicate....what a concept.


74
Stage Management: Plays & Musicals / Re: Alertness
« on: Apr 15, 2008, 06:50 pm »
Having called a show past it 6,000th performance, of which I was present for 1,000, you must find a way to keep it new. We had the advantage of a very fluid show with new artists in new parts all the time. There is almost always someone performing a new, or fairly new, cue or an artist who has been doing the cue for ten years. It is interesting to see the differences.

It also helped performing different tracks (Caller, SR, Rover). Three different SM perspectives can make a week fly by.

Sometimes during unbearably long boring scenes....I watch the audience - at least for them the clown is still funny.

- Dani

75
Stage Management: Plays & Musicals / Re: Peter Pan
« on: Apr 13, 2008, 08:20 am »
One important thing to remember is that every company out there who does human flying (especially Sapsis and ZFX) are all off-shoots of Flying by Foy.  The founders of these companies are Foy trained riggers who left to start their own company.  Foy started it all and there is no company out there more knowledgeable than Foy.

Ahhh...but there are companies out there willing to branch out and think outside of the box more than Foy. I worked with ZFX in the very beginning and, as I understand it, that was one of the reasons Robert started the company. Foy, in my opinion, can be VERY stuck in their way of doing things and unwilling to work with a producing company that wants to do anything new. I understand the reasoning behind that but, as I am now part of a company that is constantly looking for a new way to do things (Cirque), I find it very stifling. I also have, unfortunately, worked with some not so great Foy riggers so that may have influenced my opinion.

I have worked with ZFX and Foy as a flyer, an operator and a member of the producing team. I found ZFX to be superior in every way.

Just my two cents.

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