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Messages - dallas10086

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46
The show I am currently stage managing, my ASM didn't come in until tech week. As I have a lot of educational experience, I was used to having my ASM during the entire run. I found myself a bit frazzled when I was trying to do line notes and blocking and change scenes all by myself. I think stage management is a team! From beginning to end, I felt like my ASM didn't know the show enough to run the backstage. So I cant even imagine being the SM and starting at tech week. I have done week long shows where it all sorta comes together in the week, but we were all there for the whole time. It might be more normal for an ASM, but for a SM, they are needed from the beginning.

I had been asked to do musicals without an ASM several times; after two ridiculously large shows I finally said blocking/notes/paperwork/etc is going to continue to be affected because I'm only one person. Eventually the company got the hint and hired an ASM.

47
Employment / Re: Career Oops'es
« on: Feb 25, 2015, 11:33 am »
3) Send out a cover letter without changing the name of the theater company from the last cover letter I sent out.  Sad really.

I feel like we've all done this at one point!

48
Employment / How to give a recommendation?
« on: Feb 23, 2015, 12:33 pm »
I'm being contacted by other companies that ask, "Is there anyone you know that's available?" Sometimes though, their question is "Have you worked with X? Would you recommend them?" Unfortunately I can count the number of SMs I'd wholeheartedly recommend on one hand, the talent pool here is just that limited. But I don't want to come out and say "For the love of god, PLEASE don't hire this person, they're just too green for your needs." Legally that's a no-no.

If I'm unsure I'll usually ask what type of production it is (plays are better for brand new SMs), what their specific needs are (ex: someone familiar with The Nutcracker though it was a reimagining), what skill set they require (ex: QLab), those kind of questions. Are there any other things I should do or questions I should ask? I like being a helpful resource to these companies, and in my mind if the bar is raised across the board it benefits the whole community. I don't want to send over a terrible SM and have them doubt my recommendations.


49
Early on I was asked to come in at first tech, but usually because the producing company didn't fully understand what the role of the SM was (button pusher). Not ideal for a play and definitely not for a musical. The better community/professional non-union theaters know better.

50
Employment / Re: Career Oops'es
« on: Feb 23, 2015, 12:08 pm »
Trying *too* hard to stand out in a cover letter to a major production company, based on the style of the job posting. I'm not going to give examples of what I wrote, I still cringe when I think about it.

51
Are you talking about putting this on a resume? I have never seen such a statement/section listed on a resume for SM, though for 'regular' jobs I have. If you have an About Me section on your website, absolutely put it in there.

52
Introductions / Re: A Lurker No More
« on: Oct 28, 2014, 03:53 pm »
Welcome! That's a good tip about the snacks. As for the height, I've heard some refer to it as Vertically Challenged  ;).

53
First rule of acting:
Don't write an open letter
To a producer.

Social media
Is not the place to tell them
Where they can stick it.


54
Employment / Re: Social media links on website
« on: Oct 27, 2014, 12:13 pm »
If you have a non-personal Facebook page, a non-personal Instagram, a non-personal Twitter...then I've seen them work for some SMs. Just be careful not to cross your personal with your non-personal social media.

55
http://www.hesherman.com/2014/10/21/how-to-fail-at-canceling-the-most-popular-play-in-high-school-theatre/

It seems the popular go-to response from school administrations - who originally give permission for such productions with a semblance of gay characters or issues - that they pulled the plug based on 'lack of approval,' rather than saying that there was backlash from the community.

At least these kids took the initiative and took the production off school grounds, proceeding in a new venue with funds raised from Kickstarter.

56
The Green Room / Re: "I quit!"
« on: Oct 20, 2014, 12:46 pm »
One and a half seasons ago, I came the closest I've ever been to quitting - possibly altogether. It was really, really, bad. Our newly hired interim AD had, as I had deduced later, previously only worked at the high school level, and in rehearsals it was clear she had never had to work with a SM; my lightbulb moment was when she asked me, "What's a scene breakdown?" (cue internal screaming). After pulling off a difficult rehearsal process and an even more difficult tech, the show opened to a review that said the show "was the most fully-imagined musical produced locally in 25 years." I felt proud - for about two days, after which I was called in for a post-mortem with her and was told I lacked leadership and communication, that I wasn't a team player, and that my position in the company was in jeopardy. Even though I knew she had no idea what she was talking about and my PM told me the exact opposite was true, I still took it personally.

I stuck it out for the season, feeling myself getting jaded in the process (red flag), until the company hired the permanent AD and the interim was released from the position - but not before she was slated to direct one last massive musical, and not before she told the new AD how terrible I was at my job (she also included the entire production dept in this complaint so I was in good company). The AD let me know what the gist of their discussion was and said he was going to step back during rehearsals and tech and just watch everyone, myself and the interim AD/director included. I needed to hear that, because it meant he would see who was really doing their job, including myself if I needed correction or 'lacked leadership and communication.'

Let's just say a few days into tech in which the new AD was in attendance every night, he pulled me aside and said, "If she had spoken to me the way she keeps speaking to you, my foot would have been up her a**." My only response was, "the last tech was worse." Our AD quickly came to realize the interim had no clue what she was doing, brought morale to an all-time low, and didn't do much to benefit the company.

I feel I'm finally back to 100%, but it's amazing to me how one year's worth of productions in that environment - that went from supportive to toxic and threatening - affected my outlook at myself and my job.

57
The Green Room / ARTICLE: SM left paralysed by fall
« on: Oct 20, 2014, 11:58 am »
A visiting SM walks through an unlocked 'Juliet' door and falls 10 feet, sues theater: http://www.whatsonstage.com/london-theatre/news/soho-theatre-stagehand-fall_36050.html

58
The Green Room / MOVED: Which is better?
« on: Oct 20, 2014, 11:04 am »
This topic has been moved to Employment.

59
Tools of the Trade / Re: protecting mics
« on: Oct 20, 2014, 11:02 am »
If you're looking for a super cheap fix, we used to wrap the element in thin layer of used nude stockings and tied thread at the base of the element to secure it. If the pie isn't too watery it should work. Works on sweat too.

60
Introductions / Re: HELLO!!
« on: Oct 13, 2014, 11:36 am »
Welcome and break a leg at your interview at UNCSA! I've heard good things about it, and they have solid connections with several companies. The SM heads there are very personable and friendly so don't be nervous, just be yourself and relay your passion for what you do.

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