Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - Mac Calder

Pages: 1 ... 25 26 [27] 28 29 ... 63
391
I believe now Australia, American Samoa, Fiji, Kiribati, New Caledonia, New Zealand, Papua New Guinea, the Solomon Islands, Tuvalu, Vanuatu, and Western Samoa (which used to be called Australasia) has been re-delegated to Oceania... The PC Police strikes again.

(Go Auzzie Go!)

392
Stage Management: Plays & Musicals / Re: Creating Paperwork
« on: Jun 29, 2007, 12:49 am »
It is all based on communication. Before show starts, I am of the opinion that the 'production' and 'stage management' teams should have already met at least once each. The SM should establish where their team is at, as far as experiance goes, and outline what is expected of the other ASM(s). If working with a green and keen ASM, then maybe it is worth while going into detail about what you expect, and asking them if they would like you to give them a copy of the forms you expect them to fill out.

When SM'ing was my main gig, I prepared a bunch of "ASM Welcome Packs" which was a binder containing all the paperwork I expected with a list of expected ASM duties and checklists. To avoid stepping on toes, I would of course only mention that it was an option if they wished, however if they had their own system, that was fine.

It probably took me a day to make about 20 copies of the kit and cost me about $50 and I think I have a few spares sitting in a cardboard box in storage. It saved a lot of hassels with mis-communication though.

393
The Green Room / Re: SMs in media?
« on: Jun 26, 2007, 08:57 am »
Stage Manager on TV is different to Stage Manager on the stage. There is a discussion somewhere on the boards about it, but I cannot remember where, or even what it was called.

Anyway - the closest position on TV to that of a Stage Manager in theatre is the Floor Manager.

394
SMNetwork Archives / Re: Multi-tool advice?
« on: Jun 26, 2007, 08:53 am »
Leatherman or Gerber. I would not buy anything other than one of those two brands - both have top class build quality, and top class waranties on them.

As for functionality - the Wave is probably everything you need, and then some. I have not seen the Juice range - my Wave has served me 4 years so far and shows no sign of needing replacement.

I would avoid the "Swiss Army Knife" range of multi-tools... the pliars are probably the most usefull part of a multitool. I have shocking fingernails, so 9 times out of 10, I use the knife blade instead of my screwdrivers, but the times I have used the screwdriver on the Wave, it has held up well - it is also handy that the bits in the wave can be pulled out and flipped to change between a flat and phillips head, instead of having to have multiple attatchments.

My main piece of advice though, would be not to skimp on price and functionality. As I said earlier, my Wave has lasted 4 years with no sign of dieing any time soon - and it is under a 10 year waranty (Cost: AU$240). Compare that to an AU$20 cheap multitool, which can (and usually does) end up dead within a few months (I killed one of them in less than a day last year when I forgot my leatherman when I went on tour), and it is clear to see that the higher initial outlay is easily offset by long term savings.

395
Tools of the Trade / Re: Vista and Microsoft 2007
« on: Jun 20, 2007, 08:11 am »
Even simple things. The time between my clicking on the green X and excel appearing (2003 & 2004 versions of office respectively), and just general 'responsiveness'.

396
Tools of the Trade / Re: Vista and Microsoft 2007
« on: Jun 18, 2007, 09:27 pm »
OS X is based on BSD. BSD is Unix.

I will skip the rest - which whilst I have an opinion, I really can't be bothered typing (long day) and move straight onto your final point.

Actually, an AMD Athlon XP 2100+ which is running on the machine beside my G4 400MHz, with half the ram - 768 mb in the Mac vs 1537mb in the PC is quite easy to compare. The Mac beats it hands down, although it would run even better with more ram. Which is why I use it for my desktop work.

nb: the XP 2100+ runs at about 1.8GHz.

397
Tools of the Trade / Re: Vista and Microsoft 2007
« on: Jun 16, 2007, 09:47 pm »
Digga, I am going to disect your post point by point.

1: True, viruses have been written for both Mac's and Linux (as well as BSD and all other unixes) - the difference between a windows virus and a virus for  a unix based operating system is the ammount of damage it can do. This is due to the very way Unix was designed. If you are stupid enough to use the root account, and visit suspect sites, run suspect executables etc, then you really do deserve whatever virus you get. Just as an example - out of the box, most users on a windows machine can install software, and that software is installed in a system directory (Program Files) - they can also delete and change files in said directory. Out of the box, the same cannot be said for unix. Users have the ability to run said files, without the ability to change or modify them.

Then there is the fact that 99% of people I know (which leaves the 1% of machines I set up for people I know) used an account with Administrator priv's. So any security that was built into the system (ie permissions) were laid useless by the fact that out of the box, "Power User" and "User" accounts were useless. The solution - which has been implemented on OS X and Unix in general for the last god knows how long is the ability to temporarily switch into "SuperUser" mode (aka sudo), so that when an application needed higher permissions, you were asked for a password, and it had to be a concious decision.

I wont deny that Windows has taken a few steps forward in the latest release, and I have not had time to adequatly test it, so I won't comment, but it's reputation as an insecure operating system is well deserved.

Point number 2: Incorrect. All software houses/people willing to fork out big bucks (for MSDN) have had access to various release candidates and betas for Vista, not EVERY DEVELOPER. Many software houses do not make the sort of funds to justify said subscription. Also, software houses are not required to release update patches for their older software because of a new operating system, unless it stated in the system requirements that it works with Vista (which some did prior to release). Software houses exist to make money - and there is no money to be made in spending X thousand dollars writing patches to freely distribute to customers who have upgraded to vista. Especially if their product was a 'once off' type purchase and they stand a good chance of people buying the "Vista Upgrade Patch" or "Software X - now supporting Vista".

Third point: Correct. In a way, this is how software evolves - through a process of leapfrogging the competition - they add feature X, we add X and Y, they add Y and Z, we add Z and A.

Fourth: Not quite correct. See the one thing that Apple do is provide a well tuned system. OSX is optomised to run on the hardware they have selected. You can get "tuned" windows systems too, and they cost about the same - if not more. That is why when a Mac G4 600MHz was put up against a 1.8GHz pentium 4, the Mac G4 seemed to be faster. I did a few design courses during highschool, and we had a number of G3's, G4's (running OS9 and OSX) and MS systems (XP) - The G3's and 4's always outperformed them much higher specced XP systems. That is what you pay for.

398
Stage Management: Plays & Musicals / Re: Headset Etiquette
« on: Jun 15, 2007, 08:57 pm »
That is an official ethics violation.

Yeah, but the accronym is ruined if you drop the i.

399
Stage Management: Plays & Musicals / Re: Headset Etiquette
« on: Jun 15, 2007, 03:53 am »
PFL'ing of mics should NEVER be routed through backstage/booth monitors. They should go to headphones for the sound op only. And what is heard through PFL should never be repeated. Just as what goes on on the cans should stay between those on cans. It is part of the Noiseboy's Informal Code of Ethics (NICE).

It is a bit of a touchy subject with many theatre techs I know, as the fact that we CAN and are in fact REQUIRED to do things like mic checks using PFL has resulted in a few actors becomming weary of lapel mics, and doing things like turning their belt packs off (no matter how much gaffer tape you put over the switch). Then the 'talent' forgets to turn it back on, or causes a panic when the noiseboy does a PFL. And the noiseboy is the one to suffer.

So whilst it may seem like people are freaking out over your OP about PFL, there is a good reason.

(ps - appologies if noiseboy offends any female Sound Ops/Engineers...)

400
If you don't want to do a performance report after each show, then don't. Just make sure you cover what a performance report is meant to do elsewhere.

Ie: Track run times in a tabular format - periods along the top of the page, one show per line. Then give a "Departmental Report" each <period> along with "Urgent Action Items" report when something that needs dealing with urgently comes up (which gets immediatly sent to the department & management when written). For tracking actors who are tardy/sick/absent, note them in a separate section (tabulate it too) and incidents should be covered with an accident report.

For a 3 week run, the extra work involved in creating new paperwork is probably not worth it, but for really long runs, it may be slightly more efficient (and paper friendly)


401
Stage Management: Other / Re: cold calling an opera
« on: Jun 14, 2007, 06:11 am »
Nothing as bad as that.

I have had panic calls before shows though "Our SM has not show up, can you give us a hand?" or "The clients show caller has not rocked up, here is a guide to how tonight should run - maybe you can do it" (whilst I have been LX/AV or VX op) - however I have always had access to the propper paperwork when it is a theatrical show.

I agree though, in a sort of horrifying way, it is great fun. Especially when the show is over, and people come up and say "Wow, that went well... I was expecting tonight to be a debarcle".

402
Stage Management: Plays & Musicals / Re: Mics
« on: Jun 10, 2007, 11:26 pm »
Micing is usually the job of the Sound Engineer/Operator. There are two 'usual' positions. Taped high on the cheek, almost at the ear, or taped to the forehead. The later is best when wigs are involved, as the wig easily hides the lavalier mic. The cheek is the easiest position, and is often covered with some tape and makeup applied over the top (especially when you have flesh toned lavs).

Lavs can also be attatched to costumes fairly easily. Combine that with boundary mics, shotguns etc, and micing should be almost invisible to the eye.

403
Tools of the Trade / Re: Flash Pots
« on: Jun 10, 2007, 10:31 pm »
Le Maitre. Excellent quality. Reasonable price.

404
Stage Management: Plays & Musicals / Re: Making a Boulder
« on: Jun 08, 2007, 06:28 pm »
Chicken wire to make a frame, then paper mache and paint. Will weigh next to nothing. To allow someone to stand on it, put something like a chair or stool inside, as recommended by McShell

405
Stage Management: Plays & Musicals / Re: set changes
« on: Jun 04, 2007, 09:03 pm »
I insist that set changes be done as quickly as possible, whilst being as safe as possible. I use 17 seconds as a goal number, but am happy provided large changes are done within 27. Odd numbers, I know, but those are the timings that feel right to me.

Pages: 1 ... 25 26 [27] 28 29 ... 63
riotous