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Messages - VSM

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346
Center Theatre Group in LA:
Not closing, thank God, but undergoing lots of "changes..."

Center Theatre Group, the West Coast's largest nonprofit stage company, has laid off 12 employees -- a tenth of its full-time staff of 120. Those who remain will absorb one or two weeks' unpaid furlough in the coming year, with the highest-earning third losing two weeks.

The cuts also include an end to automatic 5.25% contributions to employees' 401(k)  retirement accounts. Along with postponed shows and other reductions, they are expected to save the company $2.1 million during the fiscal year starting in July, officials said. Even so, CTG projects a $1.9-million deficit for the coming year. [An earlier version of this story made it sound as if the new cuts by themselves would save the $2.1 million.]

The cuts were "across the board" in various departments, a spokeswoman said. Among those losing jobs is Ann Wareham, a 27-year veteran of the organization. She was one of three associate producers who help shepherd shows to CTG's three stages, the Ahmanson Theatre and Mark Taper Forum in downtown Los Angeles and the Kirk Douglas Theatre in Culver City.

Artistic director Michael Ritchie couldn't be reached for comment Thursday. In April, he said donations were off 8% to 10% from the previous year and ticket revenues were down 5% to 10%.

Despite those declines, Ritchie said at the time, "all in all, this is a very solid organization financially."

CTG's most recent available audited financial statements show that it enjoyed surpluses of $6.2 million in 2006-07 and $4.9 million in 2007-08, the two years  before the economy began to sink. Expenditures totaled $53.3 million in 2007-08.

The staff cuts come on top of the previously announced postponement of one show at the Taper from this season until 2010, Martin McDonagh's "The Lieutenant of Inishmore."  Another production, "Heddatron," a robot-inhabited version of Ibsen's "Hedda Gabler" that had been scheduled for the Douglas, was postponed indefinitely, leaving that theater dark this summer.

CTG joins a long list of Southern California arts organizations that have laid off employees since last fall, including the J. Paul Getty Trust, Museum of Contemporary Art, Orange County Performing Arts Center, Pasadena Symphony Assn. and Los Angeles Opera. Opera Pacific went under entirely.

Among theaters, the Geffen Playhouse suspended its own productions on its smaller stage, the Audrey Skirball Kenis Theater, to cut costs, instead offering a guest production, "Louis & Keely Live at the Sahara." South Coast Repertory in Costa Mesa dropped one of its traditional holiday shows, "La Posada Magica," from the coming season, and the Laguna Playhouse abandoned expansion plans, instead selling a property it had planned to convert into a second stage.


347
The Hardline / Re: Actors Federal Credit Union
« on: Jun 22, 2009, 11:52 am »
I have had an account for years.
I originally opened it to establish credit and secure a loan.
The requirements involved were a little less stringent than a typical bank's lending department.
Served me well...

348
The Hardline / Re: Overtime
« on: Jun 18, 2009, 01:47 am »
Every single time.
Just to C-Y-A...

349
Stage Management: Plays & Musicals / VENUES: IMAGO THEATRE
« on: Jun 07, 2009, 10:51 am »
Anybody in the Portland area (or anywhere else) ever work at the IMAGO Theatre in Portland?

350
The Hardline / Re: TYA Virgins?
« on: Jun 06, 2009, 10:22 am »
This directly from the TYA Rulebook~

DEFINITION:
(a) Productions Expressly Written for Young Audiences (i.e., productions of plays or
material expressly written, created or adapted to be performed for young audiences up
through and including the high school level).

(b) Productions Adapted From Adult Material (i.e., plays or material originally created
and/or performed for adults that have been adapted and/or performed for young
audiences).

351
The Hardline / Re: Overtime
« on: Jun 01, 2009, 09:52 am »
That would be great info to share...

352
My mantra is "You are not responsible for the outcome of your life, just the input..."

353
The Hardline / TYA Virgins?
« on: May 28, 2009, 09:16 pm »
How many of you out there cut your teeth on Theatre for Young Audiences (TYA) ?
Is this a good way to enter the Union?
Did you start out there?

354
The Hardline / Re: Equity, transfering between countries
« on: May 06, 2009, 12:59 am »
Excellent questions!
I haven't got a clue.

Best bet, call your local Equity office and ask them.
Then be sure and post the results here for all to see!

355
Absolutely.
C Y A...

356
The Hardline / Re: Deputy on a One Man Show
« on: Apr 16, 2009, 05:04 am »
If the actor doesn't want to be deputy - so be it!
The deputy acts as a liasion but in this situation, it's just you and him.
How much of a liasion need there be!?!

Better to have a positive relationship with the actor than force anything...

357
The Hardline / Re: Dance Call
« on: Mar 16, 2009, 12:14 pm »
If you and the Dance Captain consider it necessary, make it a required call.
Safety should win out every time.

358
The Hardline / Re: Dance Call
« on: Mar 15, 2009, 08:59 pm »
Never heard of anyone doing a "dance call". Are there complicated lifts,drops, spins etc involved? If so, it then becomes an issue of safety and I would have a "dance call" same as a fight call. Under LORT, you are allowed 10 hours per week of brushup rehearsal after opening. Split into 15 minute increments, could prove to be quite helpful...?

359
Thank you for that...

360
Tools of the Trade / Re: AB USB Cables
« on: Mar 15, 2009, 12:21 pm »
I never did thank you for the suggestion.
Works like a charm!!!
Thank you.

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