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Messages - Dart

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31
Tools of the Trade / Re: Social Media and Self Promotion
« on: Mar 31, 2014, 01:38 am »
On a related note, how do you all feel about vlogging?

I'd love to give it a go, and I figure so long as I don't speak about work at all, or doing anything unemployable [like drinking or irresponsible stunts] it would be okay.

Thoughts?
What would you vlog about? I keep considering doing a work blog (since I spend more time than I'd like to admit blogging anyway) but I never really know what I would talk about - particularly over a long time, and semi-consistently. Most of my time is spent at work or at shows anyway, so even if I weren't to explicitly talk about work I would be talking about someone's work.

I have considered making it anonymous and just blogging ahead about theater, but how anonymous can it really be, or how interesting can it remain while anonymous? Something like "I went to a concert this week in an undisclosed venue in an undisclosed state where the sound mixing blew and the light OP couldn't light the black performers to save their life" (true story!) is unquestionably boring. But I also don't want to be making enemies in the industry by attaching their names and mine. And even in DC, which is pretty big, it would be fairly easy to find out who somebody is by taking a look at the venues and companies they most talk about.

32
The Green Room / Citizenship!
« on: Mar 22, 2014, 08:47 pm »
This is absolutely unrelated to anything, but I just passed my US citizenship exam yesterday! Hurrah!

I'm not a citizen yet because I still have to do the oath, and apparently DC only swears 100 people in a month. So it'll take a little bit. But Hooray me!

It was actually incredibly easy and it felt a lot like a trip to the DMV - aside from getting fingerprinted. But that doesn't mean I haven't spent the past month dreading failing it.

33
I, too, think you need some sort of clearance, not just for legal purposes, but for safety guidance - even if this guidance is given in the form of guidelines.

Even if The Worst doesn't happen, and the run is 100% safe, what happens if the fire marshal reads a review of the play that mentions the fire? What if they have dinner with a friend who talks about the cool torches used in the play she watched last night? At the very least, you'd get fined. Is that something your theatre can afford?

34
Oh goodness, I lost it at “I mean, I had to fire the goddam donkey." This is great!

I'm actually working on my third show involving donkeys this year. Two of them have been human actors portraying donkeys, but the other involved a donkey and a sheep. Aside from all the, ahem, filth, on stage, the hugest problem was getting them up and down, twice, by elevator. The first time they get in is easy, but the other three they already know what the elevator does!

35
Stage Management: Plays & Musicals / FORMS: Remount forms?
« on: Mar 14, 2014, 03:11 pm »
I've just found myself in a fantastically insightful situation: I closed a kiddie show that will most likely be remounted next year just as I started rehearsing for a remount I hadn't seen or SMd before. I had no remount experience before this, so after the first week of rehearsing for the remount I sat down and redid the binder for the closed show - both in case I've forgotten it all by next year and in case someone else is SMing it.

This comes out of my frustrations with the limited notes the original SM left me which have at times complicated rehearsals - blocking is only noted when a LQ or SQ is called off it (we've had to use the actors' old scripts), and there's no complete props or costume list. I've also found a couple of spots where I definitely wish the old SM had left me some guidance - "actor 1 should ready prop A when they're offstage here," for example - and started typing up a list of hints/advice for the future SM of my closed show over this. Both of these are small, 1-hr shows with 4-people casts, mind you.

What do you, as SMs with more remount experience than me, find helpful info for remounts? Of course there will be things specific to the show itself - you don't need a trap cue list if there's no trap - but what about in general? Is a list of hints a good and helpful idea, or a bad and condescending one?

Edited to add topic tag. - Maribeth

36
The Hardline / Re: "Soft" rehearsal schedule and breaks
« on: Mar 14, 2014, 01:02 am »
I swear I did a search, but I didn't find that post! Thank you for pointing me toward it. I was suspecting I should start the clock from the time he gets in or rehearsal starts, whichever is later.

Lucky I only have one AEA so he's easy to track! I would give the other actors reasonable breaks as well, but I want to make sure I get the Equity actor the breaks he's due.

37
The Hardline / "Soft" rehearsal schedule and breaks
« on: Mar 13, 2014, 11:37 pm »
I'm working with a Guest Artist for the first time. I've done my homework and read over the AEA manual and looked over the sub-board, and I'm confident with most things (plus the actor himself is really nice, works with my theatre a lot, and is open to talking about things that might not be up to Equity standard), but I have one breaks/scheduling question:

Do I start my break stopwatch at the scheduled call of rehearsal, or when we actually start working? Or when my AEA actor walks in? He's always on time, but a couple of my actors are consistently late (a separate problem we're dealing with) so if rehearsal is supposed to start at 7 they might all make it in by 7:20, warm up, and we'll start working at 7:30. Or something along the lines.

If my actor isn't really "working" and is doing things he could do during the break (chat, text, read...) BUT cannot leave the room so he'll be ready to go as soon as everyone gets in, is he on the clock?

38
The Green Room / Re: Tax Season!
« on: Mar 11, 2014, 11:15 pm »
Resurrecting this thread!

I just had a horrible experience at H&R Block. Up until now I've done my taxes myself, but this was my first year with 1099s. I tried Turbotax, but I wasn't convinced and wasn't pleased about paying extra to use 1099s (which also cancelled their deal with DC in which I'd file for free for making under X amount). My stepfather has gone to the same guy at H&R for the past 10 or so years, so he offered to take me along. Mistake.

This guy may be a great civilian accountant, but he was not for me. He lectured me about my 1099s ("they're taking advantage of you, you should demand a W2 or quit"), didn't suggest possible deductions (which I already knew I didn't qualify for this year, like having a home office), didn't ask about work expenses (which I had no receipts for because I hoarded office supplies during college and didn't buy anything new in 2013), and didn't suggest I do estimated taxes next year. He was generally really nasty about the fact that I am indeed expecting to keep receiving 1099s in the future, and he charged me more than my stepfather because I'm self-employed.

Has anyone out there had a good theater-related experience with H&R? Was the problem the guy or the company?

39
Tools of the Trade / TOOLS: Washi tape for prompt books!
« on: Mar 07, 2014, 06:01 pm »
I have finally found the perfect solution for my book.

Over the past couple of years, I have been using post-it flags for cues, but cutting off the non-sticky part of the flags. That's why the post-it tape roll would be fantastic for me, if only it were narrower.

I was at Staples this week and noticed they had washi tape (which is weird, because this was the one, out of three Staples I've been at recently, that carries washi tape) on serious sale. Usually the small Scotch rolls go for 3 or 4 bucks each, but they're going for $1 at my local store. So I thought I'd get a couple of the solid or lightly-patterned ones to see what the online hype is about. I don't see myself using them for craft projects, but they are EXACTLY what I want for my cue notation!

They're translucent enough (you can see about how much on this patterned listing http://www.staples.com/Scotch-Expressions-Washi-Tape-Quatrefoil-Sunset-3-5-inch-x-393-inch/product_200551) to see the text underneath while still standing out, so they work a lot like the translucent post-it flags I've used in the past. They're basically masking tape, so they stick well but are easily repositionable, and they come in a roll so you can slap them on a tape dispenser and leave them on your tech table. You can write right on them with a sharpie, and they come in different sizes and colors so you can find your favorite.

Again, I got them super-cheap, but they're long enough to be absolutely worth the 2 or 3 bucks a roll you can find them for online. Do check out your local office store, though, and see if they have any sort of offer going on.

40
I REALLY like the sealed envelope idea!

41
Employment / Re: Websites part deux
« on: Feb 28, 2014, 08:00 pm »
Since we've gotten to Part II (The Webbening?), and Part I was started almost seven years ago, I'd like to ask anew: What website hosts and/or builders, do y'all like? Has this changed over time, as hosts have died and been born?

I am more than ready to pay for my website, but I'm more inclined toward builders than hosts-with-no-editor because I can't create a professional website on my own and don't really have the money to invest on a graphic designer right now. In the other hand, though, I'm seeing some sites charge an outrageous $16/mo just because they have a pretty editor or no ads.

I've been looking at Wix and Wordpress.com this morning - Wix looks nice, though they have some awful reviews re tech support, and Wordpress is all blog-based (I know .org isn't) and won't let me really play with the editor unless I pay for it (I'd love it if they let me play but not save...) Does anyone have experience with either?

42
Tools of the Trade / Re: TOOLS: Post It Tape
« on: Feb 27, 2014, 02:21 pm »
I keep seeing it at Staples (only in white, though) and always wonder if it's worth the money. I would absolutely use something like this for my call book if it came in 1/2, though... Hmmm.

43
The Green Room / Re: Personal Budgeting
« on: Feb 20, 2014, 11:33 pm »
I will say that it alerts you when big purchases are made; so it's not a bad way to detect fraud. When I bought my iPad it sent me an email and a text, letting me know that I spend a large amount on electronics at Apple.

It will also alert you when your available credit is "low," which does mean a monthly heart attack for me because anything less than $500 on my $500 credit card is apparently "nearing my credit limit." The first coffee of the month is nervewracking...

44
Tools of the Trade / Re: Half-size binders
« on: Feb 20, 2014, 09:18 pm »
lsears - I'm talking about 8.5"x5.5" binders.

Mac - Does "they serve a purpose" mean you use them, or have seen them used, within theater? I absolutely see why one would use them as a planner, agenda, or something else - but I wonder how useful they'd be for effects of calling a show. The A5 idea is a good one, though!

Dallas, Matt - I had a feeling they wouldn't be as SM-practical as I was hoping, but wanted to see if anyone else used them and liked them. Since posting this I've thought of another drawback: Being handed papers. While I can see myself finding smaller paper and printing my script smaller, I have no idea of what I'd do with any extras I was handed.

45
Are there any queer students in any sports teams, or dance groups, or any other school-related groups of people-who-change-clothes? If so, you could speak to the adult(s) in charge - chaperons, coaches, teachers - and see how they've handled it in the past.

I absolutely agree with everyone in that the rooms should be divided by gender, if they are divided at all. I acted some in high school, and we actually had one large room (technically where makeup and other "dressed" activities happened) and two rooms coming out of that one, which were the girls' and guys' dressing rooms. We didn't tell our parents, of course, but since the dressing rooms were so tiny, and since mic-ing still happened in the big room and required stripping to undershirts, guys and girls changed together in the big room. No issues came out of that - there were so many people, and we were so distracted by trying to get dressed on time, that incidents couldn't really happen.

This happened throughout college as well (several rooms that ended up being co-ed) and has happened in more than one theatre I've worked in - most remarkably, my current theatre only has one dressing room. We could technically hang a curtain or put up a divider to separate performers by gender, but although we bring this up as an option every time (and allow for actors to tell us separately and confidentially that they'd like a divider), nobody's ever asked for it.

I bring up co-ed dressing rooms because it's a similar idea - there may or may not be a person in the mix who is attracted to someone else in the room, but attraction does not mean they will act, particularly with other people around.

I also assume your space has bathrooms - if someone is uncomfortable changing in front of others, they can always change there. This doesn't have to be someone uncomfortable around queer people - it could be someone uncomfortable with their weight, or a birth mark, scars, or absolutely anything else.

With the oppression that queer people have to live through, ranging (and depending on the state or country) from no health insurance for their partner to being fired for being "perceived" as gay (even if you're straight!), it's incredibly important to be supportive of queer youth, and to set a positive example for straight youth and adults to follow. Now's the time to firmly determine that dressing rooms are separated by gender - not by orientation - and that young men are no lesser or different for being gay (or bi, or queer, or anything else - and same applies to women).

I find it particularly surprising that this is a problem in the theatre department since there's that ancient stereotype, which incidentally has proved overwhelmingly false in my experience, of theatre attracting queer people. I know that in high school and college, all the guys in my theatre club/department were assumed to be gay. Statistically, this has happened before in your school - the kid(s) in question just happened to be closeted. And that's an important point to make - the fact that nobody's ever been vocal about being queer does not mean there have not been boys-attracted-to-boys, or girls-attracted-to-girls, changing with their gender.

It does sound like a difficult situation, and maybe a conversation with all the students (and adults) in the mix is required. This could range from an hour-long presentation with speakers to a 2-minute comment at the top of rehearsal, explaining that someone's orientation does not contradict their gender, that sexual inappropriateness will not be tolerated regardless of gender (and if it does happen, it will be punished or pursued in the same exact way it would if a straight guy snuck into the girls' dressing room, or vice-versa), and that you're a big theater family that's going to remain caring, nurturing, and loving to each other.

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