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Messages - ddsherrer

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31
I've had several students go, but it's never worked out for me to go. I'll try and find some info for you.  What I think happens is that the audition/interview for the show is a separate thing. And the colleges set up like a job fair and you either set up interviews in advance or you just walk around til one catches your eye.
~Deb

32
SMNetwork Archives / Re: Disease Prevention Techniques
« on: Mar 29, 2008, 10:08 pm »
AIRBOURNE!!!! Lots of it!  Along w/ washing your hands often or using purrell, eating well and drinking way more water than coffee.
~Deb

33
Tools of the Trade / Re: Erasable highlighters?
« on: Mar 22, 2008, 09:46 pm »
I have been looking for these for forever!  I was given one as a gift and when it died I went everywhere looking for them.  I couldn't find them online either.  Thanks for pointing me in the right direction as well!
~Deb

34
Stage Management: Plays & Musicals / Re: No Smoking in Denver
« on: Feb 24, 2008, 06:14 pm »
Hal Holbrook is one of the nicest men I have ever met, but I don't want to see his reaction to not having his cigar.  As a non-smoker myself, I'm all about smoking bans in public places.  However, there are ALWAYS exceptions to the rules and I think that at a theatre should be one.  They say one person can change the world.  Let's see how far we get...

35
Apparently everyone, including myself, thinks you should take the job.  It's a stepping stone in the right direction.  I accepted my first professional SM gig when I was 18.  When I look back at it, I was cheap labor!  BUT I learned so much so fast.  I did tons of things wrong and let a lot of things slip through my fingers.  It happens when you're new.  But this company obviously wants YOU and wants to see you succeed.  The biggest tip I can give you is to ask questions. Seriously. I know people are always saying to ask questions, but quite frankly it can be completely intimidating. Especially if you're working with people who know a lot more than you do.  Remember that they were your age once too, so ask ask ask! It's better to feel silly for a moment than suffer the possible consiquences of not asking.


36
Students and Novice Stage Managers / Re: Injured during tech?
« on: Apr 19, 2007, 08:00 pm »
Thankfully, I’ve never been injured during Tech, but injured none the less.

I threw my back out at 14 and 17. Neither time involved theatre and my doctor is probably still confused. My back still hurts sometimes, but it's where I hold my stress. The arm injuries began in high school which was, of course, when I started theatre.  My first one I'm still dealing with, I have severe carpal tunnel in my wrists and elbows from being a musician.  Playing the oboe and being a percussionist takes a toll when you don't take care of yourself. Jump ahead two years and through a freak accident a week before graduation I had the tendons ripped in my right arm. (I'm right handed) This was of course the week of my first professional audition. (I dabbled in the acting thing. I didn't get cast, but they sure as hell remember the girl in the cast.) I wasn't supposed to lift a gallon of milk for 9-12 months. I didn't listen. I started at a conservatory studying the oboe and stage managing professionally at the same time. I had to drop the music major thing because of the pain and became a theatre major like I should have been in the first place. A year later, I finally got injured doing theatre. I was moving a table across a rehearsal hall and instead of asking someone to help I decided to drag it across the room by myself. Bad idea. The table collapsed and landed on my right arm causing contusions to the bone, a weird cast thing, and four weeks of physical therapy. Did I mention it was the first day of rehearsal? So when it happened, I sucked it up, took some Advil, grabbed an ice pack out of my kit, and took down blocking for the first act. When the pain didn't subside that afternoon, I went to the ER. I was in this weird cast for the entire production; two weeks of rehearsal and two weeks of shows. In theory, I'm all better. And the table is now at the bottom of a dumb somewhere! But I don't chance it anymore. I always ask for help because you never know what can happen.

Thankfully, the only time that I've had to sit out of anything at tech was an awful bout of the flu. Nothing to just brush off, but it just meant me sitting in a corner with tissues, tea, and a god mic. Not the best circumstances, but we all survived. My ASM rocked and one of the cast members brought me soup. I was sick, but loved.

The show will go on, whether I'm at 100% or not. People have a way of stepping in and making it happen. I was lucky, I learned very early to ask for help and to listen to my body when it's screaming NO! I can deal with pain but you have to weigh the circumstances.  I think sitting out part of Tech is much better than pushing yourself until you've thrown your back out or broken something. SMs aren't very useful if we're in the hospital. But that's just me.   ;)

~Deb~

37
Stage Management: Other / Re: Professional Road House
« on: Sep 30, 2006, 11:28 pm »
I don't work at one full-time, but I sometimes do local crew at River Center for the Performing Arts in Columbus, GA. The SM there is amazing. Her name is Tammy Whorton and I'm sure if you can't find some answers here, she could help. www.rivercenter.org

38
SMNetwork Archives / Re: Happy Stage Management Memories?
« on: Jul 28, 2006, 09:31 am »
Oh, Oh, Oh...I'll brag for a bit.  The Children's Theatre that I used to work for allowed me the opportunity to teach a stage management class to interested high schoolers. After completion of the class, the students were eligible to be an ASM with me. This experience lead to me having three straight years of some of the best ASMs I have ever had! One show in particular makes me brag on them the most.  We were doing Sideways Stories from Wayside School and I approached the Children's Theatre Director about letting Izzy and Laura have an even more active stage management role. He agreed.  At 16, both of these girls called a show in a professional theatre!  They were awesome! It also allowed me to take on some typical ASM duties backstage, I haven't done that in a while, so it was fun. There is, of course, more to SMing than calling a show, but they already had expierence in just about everything else. So, to tag the Ageism/Sexism Thread from earlier...Age will never dictate ability.  If you give a child the knowledge and tools to succeed, they will.

~Deb

39
Stage Management: Plays & Musicals / Gender and Age Issues
« on: Feb 21, 2006, 02:52 pm »
I am a 21 year old female stage manager in the heart of the south...I think I should reply to this topic.
I SMed my first Professional show at 18 and I think I did a good job. I've learned a lot since then, the biggest thing I have learned is to take to heart this simple phrase: "It's just water off a duck's back." Don't let things get to you, because if you do your job well, you'll be hired again and your reputation will speak for itself. And just because higher ups don't acknowledge that there is a problem, doesn't mean that they don't see it.
This summer I worked with a set designer I had never worked with before, and I suffered greatly in the lack of respect department because, let's face it, 50 year old men don't like to listen to 20 year old females. It got sooo bad one day when I was trying to figure out how the web worked (we were doing Charlette's Web) that the director went to the producer to let him know what was going on. I knew that he didn't respect me, but I wasn't going to let his negative attitude affect me and the way I do my job. The next day when I went in the shop to ask another question, the producer followed me in there. It's not uncommon in the theatre were I work to have hands on producers, but when I left the producer and the set designer had a little chat about theatre etiquette and how you have to respect everyone if you expect respect. So for the next few weeks I had to deal with an insanely onverly nice set designer (it was hell, because we couldn't get anything done).
Jump ahead six months and the respect I have for him is equal to the respect that he eventually found for me. It just took longer.
So, my advice is to fight for the show. Do what you have to do to have a great show. When it is over, if you still think he didn't respect you or the director, make sure you have a post mordum with your PSM, advisor, whoever your immediate supervisor is so they know what went on. In this meeting, you must be able to site specific examples of how you tried to improve the work environment, or you will look like a whiner. And you aren't.
I hope this helps...I'm told that my abilities continually out way my age by several different directors, designers, and producers. It just takes time to build up that reputation, but once you have it, you'll have it for life.

Deb

40
Employment / So...I want to go on tour
« on: Jan 25, 2006, 11:48 am »
I am not Equity, but I seem to be well connected on the east coast. I've had a couple of job offers in Atlanta, but not for touring. I don't mind the long hours and little pay (for now). My niche is children's theatre, so I'm looking into a couple of those. Thanks for your reply.

41
Employment / So...I want to go on tour
« on: Jan 12, 2006, 09:19 am »
I don't have any tour experience other than working local crew for Rivercenter and The Davis (and other concert type venues.) Many of the shows that I SM are with the Children's Theatre. Here's what I've done in the last six months: Charlette's Web, Sideways Stories from Wayside School, The Bible: The Complete Word of God (Abridged), and A Tuna Christmas-directed by Ed Howard. That was my life from July to December. Most of these were guest artist contracts, Tier II.  I also teach through the Springer Theatre Academy. My next wave of classes start on Saturday and they will be Stage Management and two different Stilt Building classes.

I know I'm young, but I'm a quick learner and I think I have the right kind of personality to be an asset to a tour. I just don't know how to get the ball rolling.

Thanks for your time,
Deb

42
Employment / So...I want to go on tour
« on: Jan 09, 2006, 10:46 am »
I have been stage managing professionally for four years and I think it is time for something new. I am 21 and I don't have a degree. (Educational theatre and I don't mix.) I think I want to go on tour, but I don't really know what to do. I'm a stagehand at a couple of different theatres so I've met a lot of people and gotten a lot of different opinions about being on tour, and I think I want to go. Any tips on what to do, or who to call? I don't know a lot of people currently on tour, so anything will help. Thanks in advance.

Deb

43
Stage Management: Plays & Musicals / Difficult Producer
« on: Nov 17, 2005, 03:05 pm »
No, I teach a stage management class through the young actor training program here. Before I brought it up, everyone seemed to think that the kids in the area were only interested in acting.  Come to find out, some of my best ASMs have been high schoolers. I'm sure that they can replace me when I'm gone, everyone is replaceable, but I think that the people who will suffer will be the students who will have no one to take the time to teach them. It took me a while, but I can seem to SM shows AND teach something in the process.

44
Stage Management: Plays & Musicals / PEOPLE: Difficult Producer
« on: Nov 17, 2005, 10:42 am »
What do you do if you have worked at a theatre for years and the Producer says, "We here at the ______________ (it's a historic theatre that is ranked as one of the best in the south) think of stage management as a kind of night and weekend job." Therefore, he wants my contract to reflect what he thinks a stage manager does, as opposed to what I really do. I had to fight to get about $6/hr on my current production. I had rehearsals from 10-10 and he still thinks of stage management as a night and weekend thing.
Do I leave after four years of stage managing here and hope they find someone who can teach my sm students? Do I stay and barely pay the bills? If I move, where is there to go?
There aren't a lot of stage managers in my area so I'm looking to all of you for some help.

45
SMNetwork Archives / sore throat tech
« on: Nov 15, 2005, 11:05 am »
AIRBORN!!!AIRBORN!!!AIRBORN!!!

Take it daily, when you start to feel sick OR when you are sick.  It's amazing.

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