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Messages - missliz

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271
I think talking to them was correct. Personal lives are personal lives, but if they start to effect the run of the show, then it becomes your concern. Did you talk to them together or individually?

272
The Green Room / Re: The evolution of a scene
« on: Nov 17, 2010, 11:30 am »
So, here's how we've ended up handling it....

We had a special rehearsal call for the scene to set blocking. The guys involved in the scene were called, plus any other cast member who wanted to come in and watch to understand where the scene was coming from, what they could expect to watch, etc. We have also added the scene to fight call, since there's now some pushing around. In terms of the violence of the scene, if it was at a 1 and the worst was a 5, we're probably at a 3.

Some people are still uncomfortable with the content(and to be honest, it's a much harder scene for me to watch), but now that it's polished and people who were concerned were able to sit in, ask questions, and see the process, I think people are much happier, or at least more understanding.

273
The Green Room / The evolution of a scene
« on: Nov 15, 2010, 01:36 pm »
So, my show had an eventful weekend, and I'd love to discuss the situation.

There is a scene between a guy, his friends, and a transvestite hooker. The guy and the hooker have this verbal cat-and-mouse about who is more "man," hustling each other, etc. It's very intense, and the transvestite ends up giving the guy a blowjob while the guy's friends egg him on. There are two other scenes going on at the same time on other parts of the stage.

As we're in week 5, the scene has evolved. At Thurs night's performance, the friends threw the transvestite around a little, grabbing her while mocking her before the blowjob happened. It was more physical, but the blocking was generally the same. I told the actors to rein it in, as that wasn't what had been discussed.

Fri night's performance, it was even more violent and was a near-gang-rape scene. The friends threw the transvestite against a plexi window and yanked up her skirt without telling her. This was problematic for a number of technical issues, but it also rattled the rest of the people onstage. (I even had a younger actress leave the theater in tears because she was shaken up by the new scene content.)

After an email to the director stating that the intent and blocking had changed, throwing off the rest of the cast, angering them with the content, and pulling focus from the other scenes, he came in and watched. The actors reined the scene in a bit (similar to Thurs' performance) but the near-rape is still happening. The director was fine with the way the scene was performed that night, but told the actors not to take it any further.

A full company meeting after the show presented a few different takes:

"I wasn't informed I was going to have to watch a graphic scene that night, and the change angered and upset me." -one of the ensemble actresses, who at this point is seated by the window where they are throwing the transvestite
"I'm comfortable, I feel in control, and I'm not scared." -the actor playing the transvestite
"The blowjob scene is now so full of movement, it's pulling focus." -lead actress, in one of the other scenes happening at the same time
"We've been running for five weeks, scenes are bound to evolve and change in intent. It's the same as giving different line readings every night." -actor
"The scene is not written as violent and sexual as you are performing it, and I am offended at the interpretation." -actor
"I'm bringing something new to the show, and I'm not sure why I'm being punished. It's a gift to the show, and for the actors to work off." -one of the friends in the scene, who initiates the throwing around

While I'm not sure all feelings are resolved, having an open forum has certainly helped. I don't want to give you the conclusion yet, but I'm curious what your take on the situation is.

274
The Green Room / Re: Rehearsals are Like Relationships
« on: Nov 15, 2010, 01:16 pm »
The Old Standby- even if nothing else is panning out, I KNOW there'll be a Christmas show somewhere to run.

275
The Green Room / Re: Did he REALLY ask me that?
« on: Nov 13, 2010, 11:09 am »
One of my actresses asked me the other day how I balanced on the ladder during the whole show.


Apparently she didn't know there was a booth, and thought I was sitting on a painting ladder, calling the show...

That's really odd. Wonder how she got that idea into her head?


She said that she saw my head through a window (the booth), and saw a big ladder in there once. Just put two and two together. :)

276
Tools of the Trade / Re: Holiday SM Gifts
« on: Nov 11, 2010, 11:32 pm »
I know this year I'm getting a nice canvas rehearsal bag from L. L. Bean. (My mother is terrible at keeping secrets.)

My sister did get me a "Trust me, I'm a stage manager" shirt last year. :) I don't wear it very often, but once an entire ballet company came up to me in the airport and thanked me for what I do!

277
The Green Room / Re: Did he REALLY ask me that?
« on: Nov 11, 2010, 11:29 pm »
One of my actresses asked me the other day how I balanced on the ladder during the whole show.


Apparently she didn't know there was a booth, and thought I was sitting on a painting ladder, calling the show...

278
The Green Room / Re: Just a random what if....
« on: Nov 09, 2010, 02:46 pm »

I always don't seem to mind the work place dating as much as I hate the work place break-ups.

That's really what prompted my entire life philosophy of not dating co-workers. Dating a co-worker could be fine....as long as you never ever break up.

Not that you can predict it, but if both people can be civil and respectful of one another, then while it might be a little awkward it doesn't have to be bad. My ex and I still work together, send each other on jobs, etc...we respect the other's work and, even if not romantically, work very well together!

279
The Green Room / Re: Just a random what if....
« on: Nov 08, 2010, 08:29 pm »
My last serious relationship was with a guy I met doing a show. However, he was the set designer so it wasn't the same as an actor/SM relationship. Regardless, we didn't start dating until after the show had opened. We did quite a few shows together, and we agreed that during work hours it was a business relationship only. No pet names, no favoritism, etc.

As for actors....I think it'd be a similar situation. Probably not a good idea until the show is running, and don't let it seep into the show. My friend said "Don't date within your show...but if you do, make sure it's worth it."

280
Stage Management: Plays & Musicals / Re: PROPS: Edible dessert
« on: Nov 07, 2010, 10:02 am »
It doesn't read as fancy now, but Jell-O was becoming a HUGE thing in the 30s, and there were gelatin desserts in nearly every restaurant. It's cheap and would be easy to eat, though not sure how it holds up under stage lights if it needs to do that.

281
Thanks Matthew- that's the AEA rule I figured was the best fit.  I'll have to get my ASM to police the entrance from the dressing rooms.

The improv is actually fine...this is one of those shows with a ton of people onstage all the time, and the director has them interacting in character when they aren't directly involved in the main scene. The drug deal is fine, but obviously not with the phone!

282
My current show takes place in 1960s New York. An actor came to me the other day after the show to tell me that another actor had brought his cell phone onstage. More specifically, during a "drug deal" background improv bit, the actor pulled out his (ON!) cell phone and offered to trade it, saying he'd just come back from time-traveling. The other actor was very thrown and didn't know how to react.

This is not the first time this actor has brought his phone onstage...another time, it actually went off mid-performance. The sound design masked it a little, but it was definitely there.

After the subject came up, a couple actors told me they take their phones onstage, turned off. "It's a security thing," one told me. (This makes very little sense to me, but whatever.) I do a valuables call every night before the show, and let the actors choose what they want to give me, if anything. I have tried pointedly asking the actor if he wants to give me his phone/wallet, but he refuses.

I am currently looking into AEA rules about this, and have told the director about it. Any other suggestions on how to handle this would be great.

283
The Green Room / Re: Best one-liner from a performance report
« on: Oct 29, 2010, 12:30 am »
(background: our show has half a dozen cupcakes that sit in a little display DS. they're sprayed with preservative chemicals to keep them nice looking.)

"[ASM] went to get cupcakes from fridge pre-show and discovered one missing. Questioned cast/crew- everyone knows not to eat them. Oh well, somebody is vomiting right now. Serves them right. I don't think we need a replacement."

284
Employment / Re: temporary jobs between gigs
« on: Oct 18, 2010, 10:29 pm »
If you're looking for Nov/Dec, a lot of retail will be doing "seasonal overhire" for the big shopping season.

285
So our current show is pretty racy compared to the typical season. (Implied drug use, brief nudity, simulated sex.) It's been advertised as such with all the appropriate warnings. Despite this, we have consistently gotten walkouts at every Sunday matinee (our typical older crowd) We had 6 last Sunday, and in a house of 70 it's pretty clear to the actors. I know that it's due to content, not boredom- my ASM and I have overheard the people complaining about the content as they leave!

I don't take it personally, but I know it gets the actors down a little bit. How do you handle walkouts? Good ways to boost morale?

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