such an interesting thread...
I agree with Matthew...
I do wish the career was less and less about who you know, and more and more about the experience you carry and type of stage manager you are. The system in place tends to reinforce bad stage managers who stick with it . . . and young stage managers who will work for next to nothing.
I can't tell you about how many times I work on a project where people are amazed that they have a good stage manager. Floors me.
But back to the topic at hand -- I've thought a lot about how to take my career "forward" and everything usually circles back to networking and doing the best job possible. Honestly I'd like to say just knowing the right people gets me work, but time and time again it's working a terrible show with the right people and weathering the storm that gets me work. Having people see you shine in unfortunate circumstances is better than any resume credit, in my opinion.
That being said the few things I've focused on doing pro-actively this year are knowing how much my time is worth, and continuing to challenge myself. While I could work for an Off Broadway show (Funny story Matt--I was on the list to be interviewed for the PA position on 39 Steps) I have sat down and decided I cannot and will not take work that doesn't pay me enough to live and thrive on. Risky? Yes, especially in a city where newer SMs will do musicals for $300. But also it has kept me focused on finding work that wasn't going to make me question my career choice while I ate ramen for 3 months.
The second, challenging myself, is more of a personal choice I suppose. I find that if I'm working on a show where I'm 100% comfortable, things go smoothly, where there's enough time, enough money, and no challenges or new opportunities (such as working with new technology, fly rails, automation, pyro...etc) then I feel pretty stagnant and non-competitive in the industry. So I make it a priority to make myself well rounded and willing to take on new things.
Just my $.02