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Students and Novice Stage Managers / Re: BRAND new stage manager, would appreciate any advice!
« on: Oct 09, 2008, 01:27 am »
Your questions aren't by any means stupid. It is better that you ask them rather then be caught not knowing what you are doing on opening night. Also my first time stage managing a show was a very similar situation but in college. Many actors branch into it.
As for your question about your prompt book, I copy each page of the script at 130% -140%. In college I used the college copy machine and now I just go to fed-ex (I had it copied once and it cost me $20 for a 50 pg script, I did it myself at the place last time and it only cost me $4 for a 70 page script. Then I just 3 hole punch and put the script in a binder.
As for calling cues, in a high school situation it can really depend on weather or not you have a board op, and if the director needs you backstage. In a professional setting you will always be calling cues, but I have had many smaller shows (off off broadway with like 5 light cues) just have the board op remember when to have them go, so that I could help backstage with props (we had no ASM), but I have also had shows where I needed to run the boards. Traditionally you will just call a standby and a warning for the board op on every cue over a headset. I would discuss with your director if this is what she wants.
As for your question about your prompt book, I copy each page of the script at 130% -140%. In college I used the college copy machine and now I just go to fed-ex (I had it copied once and it cost me $20 for a 50 pg script, I did it myself at the place last time and it only cost me $4 for a 70 page script. Then I just 3 hole punch and put the script in a binder.
As for calling cues, in a high school situation it can really depend on weather or not you have a board op, and if the director needs you backstage. In a professional setting you will always be calling cues, but I have had many smaller shows (off off broadway with like 5 light cues) just have the board op remember when to have them go, so that I could help backstage with props (we had no ASM), but I have also had shows where I needed to run the boards. Traditionally you will just call a standby and a warning for the board op on every cue over a headset. I would discuss with your director if this is what she wants.
