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Messages - missliz

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136
Wind-Up Bird Chronicles used it too, and it looked amazing. Really added to the feel of the play, I think.

http://youtu.be/-YkCB4Z5GG8

137
Employment / Re: Health insurance
« on: Mar 23, 2012, 12:06 pm »
I've been under my parents' insurance for the last few years, but next month I'll hit the magic birthday where I'm not covered. Fortunately, my part-time job is letting me buy in to their insurance.

138
The Green Room / Re: When is it abuse?
« on: Mar 21, 2012, 08:48 pm »
I'd say, generally, is when it's personal. I am pretty good at not letting things get to me (very rarely is it personal- stress, etc- and I keep that in mind) but when it's clearly targeted at me as a person then it's a problem. The only time I've encountered that was when, after a verrrrry long tech day, I went home while the cast went to the bar. Around 2am I got a long email from an actor criticizing how long the tech had taken, that I had wasted their time, that I was being unsafe, that I was terrible at my job, and various other (untrue) statements. Even though I'm 90% sure it was alcohol-fueled, I found the actor before call, pulled him aside and told him it was inappropriate, disrespectful, and I couldn't tolerate it. I also printed a copy and took it to the director/producer so he was aware of the situation...turns out the actor sent a similar email to the director criticizing how HE had worked the day before as well. The actor was embarrassed (as he should have been!) and I can promise you he hasn't worked there since.

139
The Green Room / Re: Things Stage Managers Say
« on: Mar 21, 2012, 08:38 pm »
It's ok, we have hours until we open.

140
Stage Management: Plays & Musicals / Re: TECH: Paper Tech
« on: Mar 20, 2012, 11:51 pm »
I've done paper techs for technically-complex shows and shows that are part of a festival (those terrible timed techs where you don't have NEARLY as much time as you need) and can usually get them done in a couple hours. I wasn't aware they were mostly a university thing...I was introduced to them by a SM I was working under in a LORT house.

141
The Green Room / Re: What's next?
« on: Mar 19, 2012, 10:58 am »
Probably pursue my other love, baking. Which is currently what I do to unwind from stage managing, so odds are good that I'd soon turn to stage managing to unwind from making cakes all day.  :D

142
Yikes. Always check your props!
http://www.guardian.co.uk/world/2008/dec/11/actor-slits-throat

"Daniel Hoevels, 30, slumped over with blood pouring from his neck while the audience broke into applause at the "special effect". Police are investigating whether the knife was a mistake or a murder plot. They are questioning the rest of the cast, and backstage hands with access to props; they will also carry out DNA tests.

Things went wrong at Vienna's Burgtheater as Hoevels' character went to "kill himself" in the final scene of Friedrich Schiller's Mary Stuart, about Mary Queen of Scots, on Saturday night

It was only when he did not get up to take a bow that anyone realised something had gone wrong.

Though bleeding profusely, Hoevels survived because the knife missed the carotid artery as it sliced into his neck. Wolfgang Lenz, a doctor who treated him, said: "Just a little bit deeper and he would have been drowning in his own blood."

One officer told Austrian TV news: "The rumours are wild, with some claiming that he was the victim of jealous rival.

"We don't know anything for sure yet; we have to work through everyone."

The knife was reportedly bought at a local shop; one possibility is that the props staff forgot to blunt its blade. "The knife even still had the price tag on it," an investigator said.

After emergency treatment at a hospital, Hoevels declared that the show must go on, and returned to the stage on Sunday night with a bandage tied around his neck, ready to once again meet his mock demise."

143
Seconding calling a professional props place. They were a huge help when I did a show with gunfire.

(Side note: I don't think "we have to do risky theater or why bother" applied to potentially shooting an audience member!)

144
The Green Room / Re: Meals!
« on: Mar 13, 2012, 07:41 pm »
Getting a crock pot changed my life. Not only can you make good food in bulk, it can cook while you're at rehearsal.

145
The Green Room / Meals!
« on: Mar 13, 2012, 03:26 pm »
In my ongoing quest to find healthy, filling meals that are easy to prepare ahead of time and take to rehearsals, I wanted to share a couple articles:

Tips for lunches that don't need to be refrigerated:
http://www.columbusparent.com/content/stories/2011/02/23/ntk-the-go-to-guide-school-lunches.html

10 healthy snacks:
http://www.thekitchn.com/on-the-side-10-healthy-snacks-144131

10 cook-ahead meal bases:
http://www.thekitchn.com/for-tomorrows-lunch-10-basics-125460

146
Self-Promotion / Re: As You Like It
« on: Mar 08, 2012, 10:42 pm »
Sounds awesome! Can you set up a ukulele jam session with Steve and I? :)

147
The Green Room / Re: Favorite Playwright
« on: Mar 06, 2012, 10:31 pm »
I was lucky enough to work on two productions of Lanford Wilson plays (Fifth of July and Balm in Gilead) and work closely with him before he passed away. I love the way he writes and the theatricality of it all (even if having all characters rotate the set 90 degrees 4 times was a giant challenge).

148
The Green Room / Re: Best one-liner from a performance report
« on: Mar 06, 2012, 10:29 pm »
My current show, a new work, Who the F**k is Dan Smith?, has had two rehearsals. First night's rehearsal report:
                                  "Hipsters are not the same thing as stoners. Or valley girls."

I was very amused.
                               

Is this the Dan Smith that will teach you guitar?

149
Employment / Re: Networking in new city
« on: Mar 03, 2012, 05:53 pm »
Talk. To. Everyone.

I moved to NYC knowing a few people (none working as stage managers) and an AD/SM summer gig. But I was a social butterfly, and let evvvveryone know what I was working on and what I was interested in. Through friends-of-friends I went to theater fundraisers/mixers, did some Broadway shadowing, and eventually landed a couple shows by handing my card out to probably too many people. But putting myself out there worked.

150
I've been half a clothesline!

In that same show, there was a moment where I had to throw a pair of bloomers from offstage to land on the actress' head as she ran DS to US.

For Lizzie Borden, I ran all the blood FX and had my very own "blood gun" (a modified power washer), which was pretty cool.


And of course, my girlfriends were suddenly VERY interested in my job when I was working with 22 naked men playing rugby players. (Being recently single at the time, it didn't hurt!)

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