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Messages - MatthewShiner

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1171
Employment / Re: Free Lancing Tactics: How Far in Advance
« on: Mar 09, 2011, 06:50 pm »
It's interesting to add into the mixes the ever lasting notion of subbing and replacing on long running commercial runs, and also being attached to pending commercial shows (shows with uncertain start dates). 

Life is complicated.

1172
Employment / Free Lancing Tactics: How Far in Advance
« on: Mar 09, 2011, 02:40 am »
So, yet again, a good free lancing question . . . just how far do you go ahead a book gigs.

I am about to start a gig that takes me until the end of July.

I have been offered a gig that will take me then right to Mid-September. 

Do you just keep booking and booking?  Or is there some argument not to book to far in advance?

Also, what do you do about offers that may leave gaping holes in your calendar?

Thoughts, ideas, interesting stories?

1173
The true nature of a collaborative process is for everyone to be aware of everyone's process.  Who knows if a prop note might inspire a costume piece?

I am wearing of any specialized software program to help organize a theatre company - only because each and every theatre company is organized so wildly different - each and every show within a theatre company may but rehearsed wildly different - so, unless it's going to be highly and easily made to be customized, then I think it will be a hard fit.

1174
I would like to hear how this turns out, and if you don't feel like public outlining, please drop me a line when the dust settles.


1175
Self-Promotion / Re: Next stop: dream job!
« on: Mar 02, 2011, 03:31 pm »
Congrats . . . have a blast. 

1176
Given she is AEA, I was assuming she was on an AEA contract for the show in question . . . in which she would be considered an employee.

Yes, if you were an independent contractor, then I would be much more hesitant to hand anything over.

1177
Employment / Re: Pictures
« on: Mar 01, 2011, 07:24 pm »
And although headshots can be pricey, I did get me new headshots . . . for $50.00 at picture people . . . which gave me a professional look in no time, for very little money - and the cd was handed to me.

My little avatar is a small version of that headshot.

I think a stage manager should have one . . . often in regional theater, stage managers are included in house boards and programs - so nice to have a professional one rather then just a snap shot taken in the lobby.

1178
Although it may seem weird for the producers to ask for it - they do own it . . . so it seems their right to ask for paperwork.

Is the purpose to look at future productions?  replace you?  etc, etc?

1179
The Green Room / Re: Do you add a personal touch to your booth?
« on: Feb 27, 2011, 10:12 pm »
besides the tequila bottles?  no.

1180
Production Manager is responsible for this.

1181
Sure Scooter

1182
I know I will have a very unpopular opinion here (at least from a management perspective), but let me go ahead.

If this is a true internship, that is a a step on the education ladder, and you are NOT just using the person as “cheap” labor, then I think sub-minimum wage payment could be acceptable - but, there better be someone there who is looking out for the education and the growth of that intern, there should be some sort of official educational component for their time there, and there should be a strict supervisor of their work and some sort of limitation on the hours and level of their involvement.  If you are relying on the intern to do the project, that is you can’t do the project without them, then perhaps you should be getting someone else.

After many years of hiring interns for regional theaters, I became a little torn about the purposed of these programs . . . are they just a cheap labor pool in the guise of “learning”? (Luckily, both of the programs I was PSM had a pretty good educational component, and I felt did a good job of moving them along their development).  I actually started to change they way I was looking for candidates; rather then hiring the best candidates for the job, often candidates who could get PA positions or ASM positions at other theaters, I would look for Stage Managers Interns with potential, but who were not the complete package -  they needed to have room to grow and needed to be ready to work seriously on that growth.

I am flat out against theatre companies hiring an “intern” as the low man on the totem pole for free/cheap labor with out some sort of “official” educational system put in place, and someone looking out for the education - and to be honest, that person should not be the SM of the show (perhaps the PSM of the theatre, but not he SM of the show).

I think one of the ways we can begin to place value on what we do, is to place value on all the members of our team - would minimum wage be too much to ask for for a college educated member of the management team?  (Hell, would minimum wage be too much to ask for a college educated leader of the management team on some contracts?)

This is why I think the credit component for the internship is important - it help underlines the importance of the educational nature of the position, but also helps tie to the educational years.  When you are a student, you already have other financial support in place to help support you, and you are not relying on the paycheck for the internships (mom and dad, student loans, etc.)  I know it’s a pain to transfer . . . and can lead to endless complications.  Due to the amount of educational theatre I did outside of school, when I graduated from undergrad I had enough credit to 1.75 times the credits needed to graduate . . . and I was flag as a “career” student - even though I was I only an undergrad for six years - putting myself through school with a child.  Not bad.

Now, those first positions after school, often called internships, are still an issue, but many of these either pay enough to eek out a meager life or include housing, and are part of your continued education - but I still feel like they need to have a strong educational component to warrant the low pay.

1183
Quote
90 minutes before half hour seems like an unusually early call -- especially with two ASMs, why is the call earlier than the more standard "hour before half" for crew calls?

That's what I thought - hell, I'd be late to 8:00a call.

1184
Quote
but am afraid it would do no good and only look poorly on me.

yes, it would reflect poorly on you.

you have no idea of what the other asm may have spoken with the sm and agreed with; and pointing out the lateness will not come out well.

it makes you look petty.

at the end of the day, what does it gain you?



1185
I actually think that credit+$200+housing is about right.

Now, as you adjust one item, you should adjust the other.

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