Backstage Calling Station/Console

[David_McGraw]

It looks as though this question hasn't come up for a couple of years:

What do you look for in a backstage calling console/station?  My theatre is in the process of building a new one and I am looking for best practices and all the latest bells and whistles.  What do you love or hate about your backstage station?  Should we install a cupholder for water bottles?

[MatthewShiner]

Flexibility in monitor location
Space for a pen/pencil cup
Ability for two headsets for training
Lockable storage
USB Charging!!!!  (Seriously, this needs to be standard backstage)
Edison power
Phone

[LizzG]

I would second a cup holder!

[nick_tochelli]

If you're building the monitor system from scratch (and have the funds) one thing you'd definitely want is the IR camera. Nothing like seeing in the dark! Beyond that....I'd say make sure you have enough room for both your script and laptop on the calling position. Nothing drives me more crazy than having room for only one of those two items.

[babens]

If your theatre has a cue light system don't forget to find a way to integrate your control system for that into your station/console.

[dackj]

A clear-com panel with channel selection. (if you use clear-com)

[megf]

Flexibility so the caller can sit (in a drafting chair or similar) OR stand
Flexibility in where Q-lites are placed, if possible - righty/lefty callers will thank you!
A 1'' high lip all the way across the edge of the primary surface - not just braces for the book itself
Hooks or shelves for sundries (tissues, some essential first aid, tape, etc)

[David_McGraw]

Thanks for all of these great ideas and considerations.  I have my first budget meeting tomorrow and this gives me much food for thought!

[MatthewShiner]

oh, and beer on tap . . .