There really is no typical schedule in the professional world. It's going to vary based on so many factors, from the way the design team works, to the limitations of the rehearsal space, to the type of contract the show is operating under (assuming you are dealing with Equity). That being said, you will almost always find that music is taught before anything else, as there is little use attempting to stage or choreograph a number if the actors don't know it.
After that it's totally out the window based on how your creative team works. I have been in situations where all numbers are choreographed first and then the blocking is done after that. I've worked with directors who focus only on one act at a time and then put the two together during the final portion of the rehearsal period. And there are times when you will be bouncing all over the place based on things such as conflicts, studio availability, etc.
I would definitely get input from your creative team. The director, choreographer, and musical director are all going to have different ideas about who they need when and for how long.