you can tell your story in one or two of four ways:
1) What is the most cues you've ever had to call in a show, total? (If you know it!)
2) What show had the most different KINDS of Qs? (e.g., lights, audio, projection, rail, deck, actors, video, etc....)
3) What is the most Qs you've had in the shortest number of pages?
4) What show have you done where Q-to-page #s has been REALLY high, and how high?
Example: The show I'm teching right now is only 61 pages long.
In the first 2.5 pages, I have 22 lighting qs, 1 audio Q (and then the designer mixes the rest), 1 sub up and out Q, 10 video up/out qs, 25 projection up/out Qs, 1 actor q (to send seven actors out on stage)..It's CRAZY. This is quite possibly the highest q to page ratio show I've ever called. (note, I am counting a Q where I call multiple projectors up and out at the same time as multiple Qs, so even though one q is "p 3/4/5 out go" i am counting that as three separate Qs. Three separate people are executing those Qs).
I'm going to count up the total number of cues so that I can answer the first question!
So I guess I've answered #s 3 and 4. What's your favorite Q story?