Onstage > Stage Management: Other

First time on a devised show

(1/2) > >>

Tiffany Lyn:
Hello all  :)

I am working on a devised show currently -- we're in pre production now... which is mostly just logistics, since there's not a script to go off of, obviously. This is the first time I have ever been a part of devised theatre and was wondering if any of you have advice or tips for going into the rehearsal process? If you have worked on a devised show, what sort of things did you do to prepare for rehearsals? Or while in rehearsals? I imagine that once the script is created, rehearsals become more similar to a standard theatre production... but what do I do until then??

Any advice or help at all is more than welcome.

Thank you all a thousand times!

BalletPSM:
I can write more on this later - but my first question is, is there a script supervisor?

the devised theatre I've worked on - in the early stages of devising I have always held the role as script supervisor - in the end, it makes my job as stage manager to have script control from jump. 

you are right that once a script is in place it becomes more like a standard process - at which point you'll want to have an intern, PA, or assistant dedicated to maintaining the script (as it will continue to change through opening) so you can focus on other things. 

happy to talk with you more about this as I LOVE working on devised theatre...but on a night that is not the night before first rehearsal.  =)

loebtmc:
agree w BalletPSM - when I've done originals that are developed in process, most of the early reh is taking notes, and making sure props that get discussed arrive (most of them will go away, but it helps to have something to play with in the meantime). I track stuff and get a sense of the work, and there will be a day with an AHA moment for you, where you see the piece as a whole (or at least where it wants to go) and you will be able to start doing the more traditional paperwork for blocking, lines, props, set, costumes etc

Part of the SM's challenge is to be willing to give up control, esp for that first part where it's all exploration. Allow the room and space to happen and the shape will appear before you in its time (esoteric, but it will make sense once you've experienced it).
Have a blast, you are part of an exhilarating process. 

And - don't forget to have fun!

break legs

Tiffany Lyn:
Thanks so much to both of you! This is all really good and helpful information. Everything you've said is very similar to what I've imagined my duties would be like; but I feel much better asking and getting the advice than I would blindly walking into a rehearsal, thinking I know what I'm in for, and be completely thrown off my game.

Again, a thousand times thanks :)

missliz:
One thing I found helpful is to develop a skeleton of absolutes...if you can get a sequence that MUST happen a certain way, props that must be incorporated, even just "actor a needs to be here by this point" etc...and a "storyline" as much as you can. I basically like to get any sort of structure I can get from the beginning. :)

Navigation

[0] Message Index

[#] Next page